Text, Affect, and Animality: On Acting Theories of Jean Renoir and Louis Jouvet
Released on J-STAGE: January 07, 2026 | Volume 7 Pages 191-206
Makoto Sumii
Air Bombing and Democracy: The Problem of Subjectivation in Sakaguchi Ango’s “Hakuchi (the Idiot)”
Released on J-STAGE: January 07, 2026 | Volume 3 Pages 138-153
Takayoshi Miyazawa
Representation and Re-presentation ; Reconsidering Bergson’s Concept of “Representation” in Vocabulaire technique et critique de la philosophie
Released on J-STAGE: January 07, 2026 | Volume 3 Pages 122-137
Futoshi Hoshino
The “Metaphysical Real World” in Sakutaro Hagiwara’s Nekomachi: A Comparison with Gilles Deleuze’s “Transcendental Empiricism”
Released on J-STAGE: January 07, 2026 | Volume 16 Pages 137-150
Tabito Kuwahara
Is It Barbarous to Watch TV after Auschwitz?: Th. W. Adorno on 1950s Television
Released on J-STAGE: January 07, 2026 | Volume 1 Pages 119-134
Yoshikazu Takemine
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