The author clarifies the following three points by analyzing the design process for the Sogetsu Kaikan:
1. Tange did not participate in the Asian Solidarity Cultural Facility Team in 1956. He visited the architectural works of Le Corbusier in India in 1957, and discuss with B. Doshi about them.
2. Tange and Tsuboi aimed to realize a large-span structure that would fit the earthquake resistance standards in Japan.
3. Tange's historical point of view (about Jomon-like arts) seen in the details of the exterior walls of the Sogetsu Kaikan, his collaboration with artists, and the chair design.
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