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  • ――日米比較文化論――
    横山 孝一
    群馬高専レビュー
    2022年 40 巻 13-24
    発行日: 2022年
    公開日: 2022/03/25
    研究報告書・技術報告書 オープンアクセス
    In Japan, some people believe that RoboCop (1987), one of America's finest sci-fi films, was inspired by Robot Detective (1973), Japanese superhero TV drama comprised of 26 episodes now available at Prime Video. Is it true? Although some advertisements affirm it, both the author Shotaro ISHINOMORI (1939-98) himself and his son Jo ONODERA have actually denied the direct influence on the American counterpart. The truth is, ISHINOMORI, not only the King of Manga whose Cyborg 009 series remains popular, but also the giant creator of Japan's superheroes such as Masked Rider and of course Go-Rangers, the progenitors of Power Rangers, was extremely irritated by the sheer fact that he was NOT internationally acknowledged as the first to come up with the idea of a robot police officer as a superhero. In other words, he was disappointed that Robot Detective had been almost forgotten even in his own homeland, obviously thinking that the quality of the children's program did not meet his satisfaction and preferring his own manga version for young adult readers.
    However, the TV original of Robot Detective is truly worth watching, deserving reevaluation among people all over the world. In the drama, Robot Detective K (often called just "K") learns how to get along with his human colleague SHINJO (played passionately by Jiro CHIBA, younger brother of Sonny CHIBA) and his irascible but humane boss Daizo SHIBA, not to mention that he, using both martial arts and powerful weapons, fights a variety of villain robots. Just as charmed by RoboCop Murphy and his partner Anne Lewis, you will be also fascinated by the good example of Japan's male relationships which were to help achieve the "Japan as Number One" position from the late 1970s to the early 90s, whose dominant influence can be seen in RoboCop 3 (1993), the worst in the series because the very American essence of Paul Verhoeven's masterpiece was damaged by the completely different values. While it is not unusual that Robot Detective K is helped spiritually by Japanese women including his "Mother," the huge female robot resembling Buddhist deity of mercy, it is really discouraging to see the once invincible RoboCop saved by a nine-year-old American girl at the climax of the movie.
    Having seen the culmination of Japan's economic power, Kaku TAKASHINA (1919-94), the actor who played older detective SHIBA, passed away in the following year. He had made his debut in the 1938 war movie Mud and Soldiers as the First Class Private who is killed in action, saying "For the sake of His Majesty the Emperor." I rediscovered Robot Detective as a drama of Japan's high economic growth by paying more attention to TAKASHINA's marvelous acting which undoubtedly contributes to the immortal merit of this TV program for children as if he had left his secret message of encouragement to the future generations of his country.
  • 松田 英子
    日本パーソナリティ心理学会発表論文集
    2006年 15 巻 P-2318
    発行日: 2006年
    公開日: 2017/09/01
    会議録・要旨集 フリー
  • *植草 隼, 飯沼 守彦, 柴 直樹, 大江 秋津
    経営情報学会 全国研究発表大会要旨集
    2018年 2018t10 巻 1P1-13
    発行日: 2018年
    公開日: 2018/12/25
    会議録・要旨集 フリー
    日本映画は、リスク分散や製作費確保のために製作委員会方式を採用している。本研究は、個々の映画を発明、高い興行収入をあげた映画をイノベーションと考え、製作委員会は映画を普及させてイノベーションを起こす実務家コミュニティとした。本稿は、日本の映画産業における実務家コミュニティのネットワークポジショニングが、当該映画の海外でのパフォーマンスに与える影響を実証する。分析は、2010年から2012年の日本映画のデータを用いて、ネットワーク分析と多変量解析を行なった。その結果、ネットワーク上で異なるグループをつなげるポジションを持つ製作委員会が出資する映画は、海外で高いパフォーマンスを示すことを実証した。
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