The aim of this paper is to explore the cultural significance of the collaboration of Kamo-no-Mabuchi and Tayasu-Munetake in the study of “yūsoku-kojitsu” or usages and practices of the ancient court and the samurai class. Referring to his other writings, postscripts, and marginal notes, here I chronologically trace Mabuchi’s progress in research to foreground the important role played by Munetake in the study. Indeed their collaboration affected Mabuchi’s study of classical literature as is typically seen in
Genji-monogarari-shinshaku. Finally it is pointed out that Mabuchi and Munetake worked together on “yūsoku-kojitsu” in the historical context of reconciliation between the imperial court and the Tokugawa shogunate.
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