The author, in this monograph, intends to give concrete explanation to the contents of contract for building Namauchi was built by bricks, in Nagasaki prefecture, by Yosuke Tetsukawa, the new church's total cost is 6721yen16sen9rin, period of construction is 1909 on April to 1910 on August. The construction work was begun by the purchase of materials. Yosuke Tetsukawa, who created "the new building cost of construction settlement of accounts document" after the construction, it was created based on three pocketbooks and "A monthly account book". The construction work expense is prepared items of 12. Payment was divided into direct expense and common cost, and divides direct expense for the church construction into "official business" and "private use". The names and job classification of workers, broker who purchased materials.

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This paper deals with the process of demolishing the Kinold Memorial Pavilion of Fuji Gakuen, Sapporo, designed by architect Max Hinder in 1924, and with the citizens movement toward preserving it. The Kinold Memorial Pavilion was selected as one of 100 cultural hometown properties of Sapporo as well as one of 88 historical and cultural properties of Kita-ku in Sapporo. This paper proposes that we should not only refer to the investigation report or drawings of measuring the historical buildings but also to the citizens movement for preservation of historical properties.

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In this paper, forming part of a comprehensive study on Hans Sedlmayr's theory of occidental church architecture in its historical development from its origins to Gothic, the views and ideas of this art historian as regards the "Justinian architecture" are discussed in an analytical reading of his study: "Das erste Mittelalterliche Architektursystem". The "overlapping baldachin" of this architecture that he postulates as its essential element is considered to be one of the most distinctive characters of the Medieval architecture.' since it contributes to the conservation of the antique columns and their integration into another more comprehensive order, i.e. hierarchy, which sanctions a new non-classical architectural principle.

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A schematic plan of a cistercian church in the sketchbook of Villard de Honnecourt has not been recognised as a scale drawing. Based upon the previous researohes concerning the historical scale drawings, historical metrology and the medieval number symbolism, the author. attempts to prove that this can be a scale drawing. Villard's plan of Meaux cathedral and the plan of Cambrai cathedral drwan next to the cistercian church plan in the sketchbook can be. testified to the scale drawings of the sketchbook. Compared with the scale of Villard's plan of Cambrai cathedral, Villard's cistercian church plan also verifies the scale drawing. Dimension supposed to this plan is confirmed by the medieval number symbolism and the mesures and dimensions of several actual medieval cistercian churches. As conclusion of this paper, the author points out that Villard's church can be exceptionally small and what Villard intended to realize in this plan is a simple plan "ad triangulum" and a symbolic number 28 as the measure of the elementary figure composing the plan.

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長崎県を中心とした地域に偏在するカトリックは,その内部立面の構成方法を主軸に据えることによって,発展的な史的展開の過程を据えることができる。その主導的役割を果たしたのは五島出身の大工鉄川与助である。本稿では,まず鉄川与助の経歴について述べ,次いで特に西洋建築に秀でた4人の外国人宣教師(マルマン神父,ペルー神父,フレノ神父,ド・ロ神父)とその代表的遺構について述べた。更に,鉄川与助と外国人宣教師との関係を明らかにしたが,その結果,宣教師が深く関わった遺構は建築の発展過程に先行して出現しており,それらが発展的展開の原動力もしくは牽引力となったと考えることができるため,日本人大工が全く未知の建築を建設するに当っては外国人宣教師の指導が重要な役割を果たしたことを明確にした。更に続稿では,鉄川与助の代表的遺構の建築的特徴と意義を明らかにし,全4編を以て彼を棟梁建築家として歴史的に位置づける予定である。

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Church of L'Escale-Dieu abbey is recognised to be one of the oldest and the most representative cistercian churches. In a synthetic perspective based upon the previous literatures concerning the proportion of mediaeval architecture, the historical metrology and the mediaeval number symbolism, the author attempted to establish a structure of measurement and proportion of cistercian church plan of L'Escale-Dieu from the author's own measurement on the site. After 3 feet of a local historical unit of measurment was taken from the width of the nave pier, a proportion system by KoBman's GroBe MaBeinheit could be verified having a logical relationship with a definite structural element. And a structure of the proportion generated from the total use of the equilateral triangles as the elementary figure could be also testified, which kept a certain logical consistency with the system of the GroBe MaBeinheit. An attempt was made to bring together presumed theoretical and practical meanings of the equilateral triangle and number symbolism of this church plan.

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Most dual-purpose buildings built by the Incorporated Church Building Society in the 19th century were mission buildings. In the 20th century, many consecrated churches were built as dual-purpose buildings. It became common to install a stage for secular use. However, it was recommended that at least 1/3 of the total floor be reserved exclusively for worship. In addition, several floor plans which allowed the worship floor to be extended but not vice versa emerged. It was found that there was a wider range of floor plan variations that explicitly stated that worship was the primary use.

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