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  • [チョ] 貞植, 川崎 清, 小林 正美
    日本建築学会計画系論文報告集
    1991年 424 巻 49-59
    発行日: 1991/06/30
    公開日: 2017/12/25
    ジャーナル フリー
    The purpose of this study is to clarify the spatial qualities of Korean traditional houses by surveying its relation with family organization and daily life. In this study, the traditional houses in Hahoe, an old village in Korea, were surveyed and the residents were interviewed for their life in 1920〜1930's. The conclusions are as follows ; (1) It has been told that An-Che (main building) is women's space and Sarang-Che is men's space. But it was found out that there has been a room called Are-Sangbang which is used by both men and women alternately according to the change of family organization. (2) An-Bang was used for the dining place for all the members of a family except the head. Because it was taught that young man must not speak, or make noise of chopsticks during meal with one's father or grandfather. Moreover, the head of family always had a lot of guests. (3) An-Bang MULIM, a custom that mother gives her room (An-Bang) to one's daughter-in-law is conducted according to the change of family organization.
  • 梅田 博之
    言語研究
    1994年 1994 巻 106 号 1-22
    発行日: 1994/11/30
    公開日: 2007/10/23
    ジャーナル フリー
    In the Seoul dialect, the pronunciation of vowels is different according to the age of speakers, and so the vowel system is also different. Generally speaking, speakers over sixty years of age pronounce the vowel e in two ways;one is [*] and the other is [*:].The former [*] corresponds to the Middle Korean vowel e in a low or high accent and the latter [*:] to e in a low-high accent.These two vowels appear almost complementary to each other, i.e. [*] appears as a short vowel and [*] appears as a long vowel in most cases.In spite of that, I think that each of these two vowels falls to a different phoneme for the following reasons: (1)each vowel of the Seoul dialect, except [*] and [*], has an opposition of quantity in the word-initial syllable, but the sound value of a long vowel is not different from the correspnding short vowel, (2) usually, [*] appears as a long vowel and [*] as a short vowel, but there are a few examples where [*] appears as a short vowel and we can also find a few examples where [*] appears as a long vowel.Therefore I consider [*] and [*] correspond to different phonemes.Consequently, there are nine vowel phonemes, /i, e, e, a, a, o, u, i, a/;and each vowel has the opposition of quantity in the word-initial syllable in older people's pronunciation.The vowel system of speakers over sixty years of age is shown as [2] of table 1.
    In contrast to older speakers, younger people have a very simple vowel system which consists of seven vowels, /i, e, a, o, u, i, A/. Thus we find the very interesting situation that speakers of the Seoul dialect have different vowel systems depending on their age group.This is the result of diachronic changes that have occurred over the last few decades.
    I investigated eighteen informants who were native to the mid-town area of Seoul in 1988 and 1989 to clarify how vowels changed according to the age of speakers.The types of vowel systems shown at table 1 were found in the investigation.
    The vowel changes according to the speakers'age groups can be pictured as shown at the table 5.
    [*:] of groups [1] and [2] phonemically changed into [i:] in groups [3] and [4] for basic words which they learned orally in their childhood, but in literary words they borrowed [*:] from the older people's pronunciation.
    [*:] was brought into the pronunciation of group [5] by the influence of the written language, i.e.spelling pronunciation, as language education began to follow a regulated curriculum from primary school, and additionally due to the analogical change in the verb conjugation which first occurs in this group. In group [6], [i:] and [*:] joins [*:] due to the increasing influence of the written language and in addition by the analogical change in verb conjugation.
    In group [7], long vowels lose length and accordingly [*:] changes into [A], losing lip-rounding.
    With respect to the front vowel opposition, group [1] and [2] have a clear distinction in initial syllables, but in non-initial syllables it hasalready disappeared as a rule except in morpheme-boundary position. Roughly speaking, most informants of groups that follow group [3] show unstable distinction even in initial syllables.
    Considering the above-mentioned vowel change, it can be summarized that the change goes on very gradually in each age group because it occurs under the linguistic influence of elderly groups to restrain from the change and also being receded by interference of the written language and analogical change.Thus we see the reason why the different vowel systems can exist synchronically in the same speech community.
  • ―「民俗村」の実地調査に基づいて
    趙 麗華, 山本 早里, 五十嵐 浩也
    デザイン学研究
    2018年 65 巻 1 号 1_41-1_50
    発行日: 2018/07/31
    公開日: 2018/08/30
    ジャーナル フリー

     本研究は,延辺朝鮮族自治州の3つの民俗村における現地調査を通して,それらの変遷過程と現状の考察を行い,文化的観光デザインの特質を明らかにすることを目的としたものである。民俗村の形成に至るまでの背景とそこで行われている観光活動について整理した結果,以下の知見を得た。
    (1)自発的移住に基づいて形成された伝統村は共同意識が比較的高く,管理型・政治型移住に基づいて形成された伝統村は共同意識が比較的低いことが確認できた。(2)民俗村の形成に影響する要素として,村の共同意識と周辺の有名観光地の開発があげられる。(3)民俗村における文化的観光デザインの特質を4つの要素にまとめた。それぞれ,伝統文化,民俗芸能,商業型観光活動,村民の参画である。(4)民俗村の形成初期は伝統文化と民俗芸能を中心としていたが,近年,商業型観光活動が増加している。特に,企業による商業型観光活動の増加は村民の参画の減少につながることが明らかになった。

  • 祭りの時空間の分析
    李 承洙
    スポーツ人類學研究
    2002年 2001 巻 3 号 19-36
    発行日: 2002/03/25
    公開日: 2011/08/16
    ジャーナル フリー
    Once every three years, a tug-of-war festival is held in the region of Chungcheongnamdo dangjingun kijisi-ri in Korea. This research paper is a report based on the observations made at the tug-of-war festival held in April, 2001. The purpose of this report is to analysis between the space-time of a festival.
    The results are as follows,
    1. The time and space of the tug-of-war festival originally had a supernatural element to it; prayer for a good harvest and fortune-telling for the year, with very mystic, religious and leisurely aspects which have all but changed into an exhibition-type attraction.
    2. It could also be said that the planning and execution of the festival is slowly being taken out of the hands of the villagers and put into that of the Association for tug-of-war Preservation.
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