詳細検索結果
以下の条件での結果を表示する: 検索条件を変更
クエリ検索: "段楊爾"
3件中 1-3の結果を表示しています
  • 李 允子
    日本建築学会計画系論文集
    1998年 63 巻 514 号 241-247
    発行日: 1998/12/30
    公開日: 2017/02/02
    ジャーナル フリー
    In these days we see the fact that the floor sitting style and the chair sitting style coexist both in South Korea and Japan. Considering this current situation, this study aims at shedding light on historical changes and development of these two types of sitting style. Comparing several types of sitting style and its historical changes in China, Korea and Japan along with research into their historical interchange, the author probed into resemblance in sitting style among these three countries. As one of the characteristics, for example, sitting with the left knee drawn up was first observed from the Zhou to Han period in China. Later in the periods of the Jin and the Southern and Northern Dynasties, it was seen on various scenes such as people in the middle ruling class holding ceremonies, retainers raising up lamps, warriors standing by, bird hunting, fishing, praying, and such. In Korea, in the period of the Three Kingdoms, this type of sitting style was found where people were drawing characters, and in Japan, in the Jomon period, where men were holding ceremonies. All in the three countries, however, there were also tools to sit down on, and even stools and chairs to show authority were found. From this study, it is assumed that sitting cross-legged as well as seated style were characteristic of people of high standing and were commonly seen in the three countries. Also in China, however, there was a period of sitting on the floor as seen in Korea and Japan. And in the time range given in this study the shift from floor sitting to chair sitting had started there.
  • 内田 和伸
    ランドスケープ研究
    2005年 68 巻 5 号 445-450
    発行日: 2005年
    公開日: 2006/05/08
    ジャーナル フリー
    In last year I guessed that the plans of the Imperial Audience Hall of State Compound were made by the bureau of astrology, calendar and divination ONMYOU-RYOU. On this paper I guessed the design concept and the thought with three enigmatic findings in the Imperial Audience Hall of State Compound. In the Fujiwara Palace, lotus pattern on the round eaves tiles compare the cosmos, and intertwining floral pattern on the flat eaves tiles express divinations outlook on the world. In Nara Palace, the ornament tile of the earthen wall with brick tiles on the former imperial Audience Hall of state compound express the brilliant sunshine, which is an auspicious sign .In Naniwa Palace, the concentric circle design on the round eaves tiles compare the cosmos just like the astronomical chat of mural of Kitora Tomb, and its reverse figure right express the secure of peace on the world. The other flat eaves tiles compare the cosmos, its figure + express the center of the eccentric circle (ecliptic).
    I think that the meanings of these findings are related to ONMYOU-RYOU and the ideology of the Rituryo state that conjecture was justified by this study on the findings in the Imperial Audience Hall of State Compound.
  • 高神 信也
    智山学報
    1973年 21 巻 59-77
    発行日: 1973/03/20
    公開日: 2017/08/31
    ジャーナル フリー
feedback
Top