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  • ――藤岡弘、対 庵野秀明――
    横山 孝一
    群馬高専レビュー
    2023年 42 巻 29-48
    発行日: 2023年
    公開日: 2024/04/03
    研究報告書・技術報告書 オープンアクセス
    On March 17, 2023, the long-awaited Shin Kamen Rider or Shin Masked Rider, directed by Hideaki ANNO (1960-), Japan's leading animator and filmmaker, was finally released. As a big fan of Kamen Rider as well as ANNO's legendary Evangelion series, I went to see the movie, only to find it disappointing. Contrary to my ideal Kamen Rider image, ANNO's new / true (which are the meanings of the Japanese word shin) Masked Rider turned out to be so feeble, just as the manly character of Susumu KODAI was changed into such a tearful weakling by Harutoshi FUKUI in the 21st century reboot version of Space Battleship Yamato. Their good intentions are clear: reviewing Japan's militarism during WWII, both ANNO and FUKUI tried re-creating the famous characters, eliminating the belligerent elements they firmly believed to be bad. Although their attitudes might be politically correct, the results would be boring with anticlimaxes, while the cinema audience really wanted to see the heroes' brave fights with great determination. Shotaro ISHINOMORI (1938-98), the late manga artist who designed the superhero, would have supported ANNO's Shin Kamen Rider, because he was possessed by the same pacific belief as a typical Japanese postwar democrat. Just like ANNO, I (1966-) was fortunate enough to enjoy the first Kamen Rider series, from the very first episode aired on April 3, 1971 to the last of Kamen Rider V3, which ended on February 9, 1974, when the true identity of Shocker and Deathtron's boss proved to be Satan himself. Which means Hideaki ANNO turned the Devil into a human being named Ichiro MIDORIKAWA, who only hoped to make the world a better place. Therefore it is natural that the fighting against SHOCKER tends to be not only anticlimactic but also melancholic in ANNO's new Rider film. The original TV series was written not by Shotaro ISHINOMORI, but mainly by Masaru IGAMI (1931-91), who was good at samurai dramas. It was IGAMI that created the strict father figure of Tobei TACHIBANA wonderfully played by Akiji KOBAYASHI (1930-96) and that wrote about the unforgettable Kamen Rider Kid Corps, which ANNO completely ignored. The true Masked Rider was played by Hiroshi FUJIOKA (1946-), one of the most masculine living Japanese actors, who continued to act Takeshi HONGO in Toei's 2021 authentic Rider movie at the age of 75. As he has discovered and embodied it in his career, I must say the very essence of Kamen Rider is the soul of a samurai.
  • ースポーツと映画における「動き」の体系的な研究に向けてー
    大谷 晋平
    年報Promis
    2024年 2 巻 1 号 99-122
    発行日: 2024年
    公開日: 2024/04/21
    研究報告書・技術報告書 フリー
    本研究ノートは、執筆者が作成した日本で劇場公開されたスポーツ映画のリストの分析と、これからのスポーツ映画研究の展望を簡単に提示することを目的としている。 「はじめに」では、作品リストが日本のスポーツ映画研究に向けたものとして製作されたことを説明し、その研究の一つの視座としてトム・ガニングの「動き」に関する研究を紹介する。 第二節では、特に北米で盛んなスポーツ映画研究の概況について、具体的な研究の視座と映画分析手法の大まかな傾向を、先行研究例を用いながら整理し、その上でガニングの視座との差異を確認する。すなわち、これまでの、映画におけるキャラクター像や物語分析とは異なり、「動き」そのものがどのように作られて、観客はそのスペクタクル性をいかに享受したかを考察する研究の可能性についての提示である。 第三節では映画リストの製作基準や方法を提示し、近代スポーツと日本映画の連関を研究することに向けて、日本スポーツ映画の大まかな特徴を明らかにする。 結びでは、第二節と第三節とを踏まえて、「動き」のスペクタクルという視座から日本のスポーツ映画研究という大きな展望を、例を交えながら示したい。
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