詳細検索結果
以下の条件での結果を表示する: 検索条件を変更
クエリ検索: "渡辺弘" プロデューサー
2件中 1-2の結果を表示しています
  • 渡辺 弘之
    Edaphologia
    1970年 4 巻 18
    発行日: 1970年
    公開日: 2021/10/08
    ジャーナル フリー
  • ―活動のねらいに着目した新聞記事の分析から―
    園部 友里恵
    演劇学論集 日本演劇学会紀要
    2015年 60 巻 47-67
    発行日: 2015年
    公開日: 2017/01/06
    ジャーナル フリー

    The purpose of this research is to clarify the trends of activities of theatre involving elderly people, and the aims of the activities through analysis of newspaper articles in Japan.

    This research extracts 672 articles from three newspapers in Japan and classifies them into two categories, “watching” and “performing”. “Watching” means that elderly people watch performances by those of younger generations. “Performing” means that elderly people themselves perform. The first article referred to as “watching” appeared in 1953, and that which is referred to as “performing” appeared in 1971. The occurrence of both activities has been increasing since the late 1980s.

    The aims of “watching” mentioned in the articles are classified into four categories: “comforting the elderly”, “contributing to society”, “fostering relationships”, and “calling for attention”. In the 1950s, the elderly were written about as unfortunate people. However, they gradually came to be described as learners. Therefore, theatre performances are used to support their understanding and forming of relationships.

    The aims of “performing” mentioned in the articles are classified into five categories: “obtaining good health, relationships, and life”, “handing down local culture and history”, “cheering up the elderly by the elderly”, “enriching ‘second life’”, and “investigating physical expression through the elderly's own body”. The main aim of theatre performances by the elderly is to live in good health and maintain a good life. In recent years, both the bodies and the expressions of the elderly are getting a lot of attention as a new theatrical approach.

feedback
Top