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  • 下田 章平
    書学書道史研究
    2021年 2021 巻 31 号 55-68,99
    発行日: 2021/10/31
    公開日: 2022/03/02
    ジャーナル フリー

      This article is part of a study on Chunhua geties. Through examination of existing editions, it aims to contribute to an elucidation of how Chinese calligraphy was accepted in Japan in the Edo era and how publishing projects of copybooks printed from the works of old masters were developed in China. In this article, based on examinations of counterfeit Wang Zhu-bens appearing in historical records, the propagation of two facsimile editions, Songta Chunhua getie (Dazhongguo tushu company, 1972) and Songqingli neifuke getie (Li pingshu private edition, 1920 or later), is discussed along with their relation with relevant records, characteristics of the woodblock printings of counterfeit Wang Zhu-bens, and their publication periods. As a result, not less than nine editions were confirmed, indicating the situation of China in the Ming and Qing periods whereby counterfeit Wang Zhu-bens were reprinted repeatedly and were in wide circulation to meet strong domestic demand. In particular, the edition originally owned by Wang Xijue (1534-1610) in the Ming period attracted attention and was widely utilized as a source book for reprints. On the other hand, dissemination of the two facsimile editions is observed only in and after the modern era, suggesting that they are relatively new reprints in and after the Qing period, a fact that is also supported by an examination of relevant records. Based on detailed examination of the calligraphic works included in counterfeit Wang Zhu-bens, the version consisting of rubbings was also determined to be counterfeit, and was edited and published incorporating knowledge from historical masters. Since this version does not appear before Zhang Chou in the Ming period as far as the author knows, it is presumed to have been first printed at the end of the Ming period. The author's next step is to perform detailed examination on Japanese versions of counterfeit Wang Zhu-bens, Kanen-bon (Kanen 3 or 1750) and Sojo-bon (Tenpou 14 or 1843) namely, based on the characteristics of printed editions of the counterfeit Wang Zhu-ben lineage.

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