2024 Volume 89 Issue 819 Pages 936-942
After moving to Brazil from Italy in 1946, Lina Bo Bardi questioned rationalism and became interested in modern Brazilian architecture and organic architecture. However, her encounter with avant-garde theater and popular art in Salvador, led her to reevaluate the essence of rationalism: humanism and life-based simplicity. She demonstrated the value of rationalism with her masterpiece São Paulo Museum of Art, 1968, which was conceived with a drastically simple spatial organization and raw, rustic materials, as a new synthesis of her thoughts and experiences, including her interest in rural architecture in her early career in Italy.