アジア・アフリカ地域研究
Online ISSN : 2188-9104
Print ISSN : 1346-2466
ISSN-L : 1346-2466
研究ノート
動員と秩序の文化政治
―インドネシア・ロック音楽産業の持続的発展とその陰影―
金 悠進
著者情報
ジャーナル フリー

2021 年 21 巻 1 号 p. 83-103

詳細
抄録

This article explores the cultural and political context of the development of the rock music industry in Indonesia. With a focus on live performance, it shows how the political and economic power of Chinese Indonesian business and the military have played an important role in underpinning the sustainable development of the country’s rock music industry.

Indonesian rock music has continuously evolved from the mid-1980s, under the Soeharto authoritarian regime, through the country’s democratization to the present day. The industry developed during the Soeharto era through rock festivals (Festival Rock Se-Indonesia) sponsored by ethnic Chinese businesses, and since the fall of the Soeharto regime, the industry has continued to grow with the support of the Indonesian armed forces.

Chinese Indonesian businessmen have been sponsoring rock festivals to boost show business by attracting large crowds and contributing to the popularization and industrialization of Indonesian rock music. The increase in capacity and expansion of venues for live performances has contributed to the sustained development of the rock music industry, with the armed forces providing large military sites for music events following the democratization of the country. However, such mass mobilization, sponsored by Chinese companies increases the risk of rioting in these venues. Therefore, the military acts as a security mechanism to violently suppress riots and maintain order.

著者関連情報
© 2021 京都大学大学院アジア・アフリカ地域研究研究科
前の記事 次の記事
feedback
Top