ダンスにおける「リズムにのる」ことについての一考察

抄録

 The purpose of this study was to clarify the structure of the kinesthesia when we feel “do catch the rhythm” and “do not catch the rhythm” in the dance. As the process, because the dance has “rhythm of the music” and “rhythm of the movement”，to be considered which was based on the GestaltKreis theory with concept of the rhythmic coordination. As a result, the Gestalt has been influenced on the difference in intentionality for “rhythm of the music”.

 If we feel “do not catch the rhythm”，the kinesthesia could be divided into three types. First, because the sound is not structured as the melody，it is not perceived as the music. Secondly, the melody of music and the melody of the kinesthesia are structured independently, but there are not perceived at the same time. Thirdly, the melody of both can be structured at the same time, but there are not perceived as the one unified melodic structure.

 On the other side，if we feel “do catch the rhythm”，can be perceived as the one unified melodic structure. In addition to this, there is the influence of the principle of meta-noesis between the movement and the music. Thus, in this case that we can feel “do catch the rhythm”, it is found that the melodic structure has been created new one.

 However, in this study is only just revealed the differences of the kinesthesia about “do catch the rhythm” and “do not catch the rhythm” in the case. In the future，we continue to study in deep level of the passive intentionality about “do catch the rhythm” in this case, we would like to proceed with based on dance improvisation.