芸術作品成立の記号場的構造(大会報告)

抄録

When we ask "What is art?", it appears the problem of the "situation". The situation is a field that Subject and Object confront each other under the regulations of time and space. From the semiotic point of view, the most fundamental model of the situation is organized as schema I (see p.35). But when a sign (including signal, simpton and symbol) is realized, it refers to always variable referents. For, there are the operations of three moments, i.e. the Given of object, the Intention of subject and the Place of both confronting. The three moments, in a word, are the "circumstance". In fact, under the circumstance we receive every object as signal, simpton or symbol. So that schema I should be evolved to the developmental model schena II & III. It follows that os and sR hold the connection with a functional relation, and os<sR tends to more signal sign, os>sR tends to more symbolic sign. Now works of art are the signs of emotional things and their correlations, and are composed of not yet commonly articulated colour, shape, word, sound or movement. The compositions are the symbols of feeling that can never be exchanged, and so the objective forms have the analogies to those of the import. In other words, the every element has a character not of a simile but of a metaphor. Hence the situation shifts from schema III to IV. In this case, the chain of sign-situations is abridged, but really the very abridgment helps to turn the relative present to the absolute present. Thus the "situation" of works of art afresh evolves to the schema V.