Images in the works of art, especially in the plastic arts, are originally single in their creative process. The combinations of the isolated images appear in the next place. The isolated images correspond to "things" as the "objects", and the "matters" as the "subjects" are attained by the combinations of the images. The word "object" means "mot" or "langue", and the word "subject" signifies "langage" or "parler". In short, to combine the images is equivalent to the creative power of imagination. As an example to clarify Japanese aesthetic consciousness through the various phases of combinations of images, the problems of "ambiguities", "doubleimages" as the concentric circles and "allegory", I studied in this paper the "Haiku", the shortest of all Japanese poems.
