〓康の『聲無哀樂論』 : その論理的展開を巡って

抄録

<<Sheng-wu-aile-lun>> is one of the most important musical writings in the history of Chinese music aesthetics. It overcame the difficulties of the Confucian view of music and established a new perspective, through an elaborated logical development. This is based on the six following theses : (i) <<mind and sound are two different things>> ; (ii) <<music has no constant correspondence with specific emotions>> ; (iii) <<music imitates nothing>> ; (iv) <<music has its own intrinsic harmonia (he)>> ; (v) <<the essence of music is to be found in a balance of emotions, or rather, the absence of emotional bias (pinghe)>> ; (vi) but at the level of its interaction with society, <<it is mind, as not bound to specific emotions, that is essential to music>>. Finally, the text prescribes the ideal way of music as a means to suggest the ideal state of mind for the purpose of cultivating life (yangsheng).