ヤン・フートのルネ・マグリット解釈 : フートのアート観と「アイロニー」を参照点として

抄録

At present, there are two points of view about the interpretations of Rene Magritte(1898-1967), who was the Belgian painter. The former is that Magritte's works have "fantasitic" (fantastique) features in the argument of art history. The latter is that they interpret Magritte as the father of the conceptual art at the U.S.. In order to show another aspects of the acceptance of Magritte, I focus on Jan Hoet's interpretation of Magritte. Hoet is the ex-director of Museum of Contemporary Art Ghent and the international curater. The reason why I refer to Hoet's view is that the argument to Magritte of Hoet insists us that the different interpretation of Magritte with the previous studies. So that, in this thesis, I would like to clear the new aspect of the acceptance of Magritte through Hoet's words and exibitions about Magritte.