抄録
This study examines Zaha Hadid′s design methodology with a chronological assessment of her work and its roots in parametric design. Zaha Hadid and Patrik Schumacher1 pursue Parametricism, and have executed a series of projects that embody it. Her recent work however, does not show building geometry influenced by paintings that can be found in her early work. This study reinterprets the paintings of Malevich, an originator of Suprematism who is believed to inspire her early work from the perspective of Gestalt psychology with parametric observation within the discourse of Parametricism in order to discover consistent design approaches throughout her practice. By investigating her inspiration from Malevich in her early work to her more recent parametric design approach, Zaha Hadid′s consistent design methodology within the evolution of her work is investigated.
