哲学のはじまりと抒情詩 : アルクマンの場合

抄録

As the forerunners of philosophy, we have no small numbers of semi-philosophical cosmogonies written both in verse and prose. Almost all cosmogonies in verse such as that of Hesiod and of Epimenides are composed in hexameters. While even in the age of philosophy hexameters were still influential as one of the effective means of expression, lyric meters on the other hand are scarcely found used for semi-philosophical as well as philosophical ideas. Although it has been admitted that lyric poets had perhaps so great an influence on the shaping of philosophy, it is to be noted that no philosopher set forth his thoughts with the aid of lyric meters. Alcman's cosmogony in lyric meters, viewed in this light, arouse a great deal of interest. However, serious problems, such as the fact that the cosmogonical subjects from thenceforward had not been treated in lyric meters are by no means answered here. In this article, as the first step towards solving these problems, merely some remarks on his cosmogony will be given. Though we may regard Thetis, poros and tekmor as characteristic of his cosmogony, we do not subscribe to the opinion which holds that by emphasizing Thetis' character as a craftsman too much, it is alien from the early Greek cosmogonies. It is perhaps more suitable, when considering the nature of his cosmogony, to draw a comparison with the Hesiodic cosmogony than with the Near Eastern cosmogonies. Indeed, some close parallels are found between Alcman and Hesiod: (1) The original state of the world in their cosmogonies is a confused, undifferentiated mass. (2) Thetis, poros and tekmor can be considered to make a group and have the same function, -differentiation; differentiation, however, in the same sense as the formation of Chaos implying a vast gap comes into being. τηζ θετιδοζ γενομενηζ κ. τ. λ. (vv. 15-16) is therefore equivalent to χαοζ γενετ' (v. 116). (3) The formation of Daylight, the moon and stars out of Darkness (vv. 22-27) corresponds well to that of Aither and Daylight out of Night (v. 24). From what we have seen above, we may conclude that Alcman's cosmogony follows Hesiod with considerable accuracy even after having given careful consideration to the point that while Hesiod, as G. S. Kirk (Pres. Ph.) suggests, places emphasis on the nature of the gap itself, Alcman, on the other hand, takes a vivid interest in the act of separation at the first stage in the formation of a differentiated world.