Abstract
The present paper reports the result of the investigations concerning how “Hogo-no-usuginu” and “Rogo-no-hakama” were sewed. Since both of them have been exceedingly damaged, description of the damaged parts is an inference from modern costumes and the half-sized replica, reproduced by the author. “Hogo-no-usuginu” is lined, and its sewed-up margins are hidden. It resembles partly the modern kimono, but mostly uchiki of Tsurugaoka. “Hogo-no-hakama” is somewhat similar to the modern hakama used now at the Japanese Imperial Court, though it is different from the latter in sasahida, machigami and ushirokoshi.