Abstract
The most difficult part of description about the body and its physical experience is linking the two, for although, one is obviously affected by one's experience, one is never completely determined by that experience. It is a fact that, therefore, description of lived experiences about the body has being neglected.
The purpose of this paper is twofold: to describe the previous process of contemporary dance performance focusing the relationship between choreographer and dancer by using methodology of reflexive description, and in doing so, to clarify the sociality of the body.
(1) the movement is being created through the interaction both of choreographer and dancer by using the choreographer's word as medium.
(2) by the created movement is ground into dancer as moving automatically, dancing body appears as various possibility of expression.
Dancer's movement includes the image of choreographer, the motif by moving, and the image that is based on dancer's own experiences. Then, the body in a lived relationship between choreographer and dancer refuses to remain in a static meaning. And such a state has been kept in the process of becoming.
The process of becoming like this could be thoght of as one function of sociality of the body. This paper will be expanding the agenda of the theories of the body.
