ドイツ体操連盟（Deutscher Gymnastik-Bund）主催の「新体操教育会議（Tagung für gymnastischer Körperbildung）」（1926）におけるプログラム構成・内容に関する研究―雑誌記事の分析を中心として―

抄録

The purpose of the research discussed here was to utilize evaluations of gymnasts published in magazines as a key to learning more about the Tagung für gymnastischer Körperbildung (Conference for Gymnastics Physical Education) held in Dusseldorf in 1926 by the Deutscher Gymnastik-Bund (German Gymnastic Federation). The results discussed in this paper can be summarized as follows:

1. Taking impetus from the burgeoning gymnastics reform movement in Germany at the beginning of the 20^th century, the Tagung für künstlerische Körperschulung was held in Berlin in 1922. This convention was the scene of multifaceted discussions from artistic, educational, and medical perspectives, and it affirmed the value of a new gymnastics as basic human movement united with rhythm and melody.

2. With the Tagung für künstlerische Körperschulung as the trigger, individuals seeking to advancethe new gymnastics established the Deutscher Gymnastik-Bund in 1925. This organization held lecture meetings and training sessions in order to promote and spread the new gymnastics. The main thinking on movement that provided the basis for these activities was formulated as Mensendieck gymnastics, which approached movement from anatomical and biological perspectives; Bode gymnastics, which emphasized the experience of rhythm; and Laban gymnastics, which took an artistic approach.

3. The Deutscher Gymnastik-Bund held a major convention on physical education for gymnastics in Dusseldorf in 1926. The author considered this convention from the perspective of the magazines GYMNASTIK and Die Leibesübungen, and determined that while the convention as a whole involved a significant element of show, n ew gymnastics movements were formulated in a process rich in free and rhythmic movement and expression.