2023 Volume 7 Issue 2 Pages 83-85
The exhibition viewing experience is not linked to the use of digital collections. Questionnaire surveys reveal that viewers enjoy exhibitions with an attitude of taking their time to view artworks alone, while at the same time showing a lack of interest in viewing artworks remotely. In this paper, we assume the art exhibition viewer as a user and examine his/her gaze toward digital collections. The example of music streaming services then suggested that it may be effective to present a large number of curation results. By making the flow line to the digital collection more visible, it is expected to make it easier to visualize the experience process itself.
