This paper examines key issues in the digital archiving of materials related to the creative production process of film director Nobuhiko Obayashi. Since visiting a storage warehouse in Hiroshima Prefecture in 2023, the author has continuously sought to understand the composition and storage conditions of unorganized audiovisual and textual materials. As a preliminary case study for a larger-scale future investigation of privately held materials, this paper analyzes the research process that underpins such work and clarifies the challenges involved in the “preservation,” “restoration,” “access,” and “utilization” of these materials. It further conceptualizes the practice of provisionally classifying and cross-referencing materials on the basis of specific research objectives as “Research-Led Exploratory Excavation” and aims to explore a sustainable framework for their preservation and use.
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