抄録
In art museums, dance, as an emerging interdisciplinary art form, has long been overlooked by the mainstream art world. This phenomenon stems from the differences and barriers between the artistic concepts, discourses, and operational models of dance and visual arts. By tracing the development of dance art and art museums, one can discover that in their respective processes of renewal, they have shown trends of mutual attraction and openness. On one hand, in its pursuit of spatiality and diverse forms of expression, dance art naturally finds its way into the unique exhibition space of art museums. On the other hand, modern art museums, influenced by the concept of “New Art Museology,” have opened their doors to embrace cross-disciplinary art forms such as dance, enriching their exhibition contents and promoting their transformation and innovation. It is based on this potential for complementarity and mutual benefit that dance art is gradually entering art museums, while art museums, under the impact of contemporary artistic trends, integrate dance as one of the new forces driving their self-renewal. This paper aims to explore, starting from the internal logic of the development of dance art itself, how the dance innovation movement represented by the American avant-garde dance has promoted the transformation of traditional museums/art museums, leading them to ultimately accept and integrate dance art. Through this exploration, the hope is to deepen the understanding of the significance of the interaction between dance and art museums, and how this interaction promotes innovation and development in the field of art.
