風景(画)の終焉と「風景構成法」

―芸術と臨床における「風景」の死と再構成について

抄録

Modern subjectivity is required for the appearance of a landscape, which also needs a suitable distance from the viewing subject to the viewed object. The collapse of modem subjectivity is an issue of the postmodern era. In postmodern art, it is seen as the end of the landscape and the rise of environmental art. However, some environmental artists have sought a new subjectivity as the central point of the new landscape, and the landscape montage technique has also been developed in clinical psychology to reconstruct subjectivity for schizophrenic patients. Here, I argue the necessity of subjectivity for the contemporary landscape.