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Choreologia
Online ISSN : 1884-6254
Print ISSN : 0911-4017
ISSN-L : 0911-4017
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Issue 45 Pages 0-
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Volume 1984, Issue 7
Displaying 1-16 of 16 articles from this issue
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Origins of the Dance: A Phonological Study
Sumio Kam'bayashi
1984 Volume 1984 Issue 7 Pages 1-6
Published: 1984
Released on J-STAGE: April 30, 2010
DOI
https://doi.org/10.11235/buyougaku1978.1984.1
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(1137K)
Dance in the Korean
Työlshin-kut
Shamanistic Ritual (1)
Toru Itaya
1984 Volume 1984 Issue 7 Pages 7-11
Published: 1984
Released on J-STAGE: April 30, 2010
DOI
https://doi.org/10.11235/buyougaku1978.1984.7
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(792K)
Dance in the Yoruba
a Case Study of the Oyan estiral
Yasuko Endo
1984 Volume 1984 Issue 7 Pages 12-20
Published: 1984
Released on J-STAGE: April 30, 2010
DOI
https://doi.org/10.11235/buyougaku1978.1984.12
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(4789K)
Art Education through Dance Education
Thought and Practice with Hiro Miura
[in Japanese]
1984 Volume 1984 Issue 7 Pages 21-28
Published: 1984
Released on J-STAGE: April 30, 2010
DOI
https://doi.org/10.11235/buyougaku1978.1984.21
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(1106K)
Early Phases in Creative Dance Education in the United States As Shown in the Magazines “JOHPER”in the 30's
Yasuko Tanabe, Yasuko Kataoka
1984 Volume 1984 Issue 7 Pages 29-30
Published: 1984
Released on J-STAGE: April 30, 2010
DOI
https://doi.org/10.11235/buyougaku1978.1984.29
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(273K)
Functions of Dancing in Adult Education
Midori Mihara
1984 Volume 1984 Issue 7 Pages 31-32
Published: 1984
Released on J-STAGE: April 30, 2010
DOI
https://doi.org/10.11235/buyougaku1978.1984.31
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(302K)
Development of Improvisational Expression As Seen in Dance Classes At a Junior High School For the Auditorily Handicapped
Ikuyo Saburi
1984 Volume 1984 Issue 7 Pages 33-34
Published: 1984
Released on J-STAGE: April 30, 2010
DOI
https://doi.org/10.11235/buyougaku1978.1984.33
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(256K)
A Case Study of Hiroshi Shoji in his Dance Creation
Kyoko Sugo, Setsuko Ishiguro
1984 Volume 1984 Issue 7 Pages 35
Published: 1984
Released on J-STAGE: April 30, 2010
DOI
https://doi.org/10.11235/buyougaku1978.1984.35
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(187K)
A real Definitions and Choreographical Method for Creative Work
Yoko Aoi
1984 Volume 1984 Issue 7 Pages 36
Published: 1984
Released on J-STAGE: April 30, 2010
DOI
https://doi.org/10.11235/buyougaku1978.1984.36
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(183K)
The Beautiful in the
Shunie
Omizutori
as an Aesthetic of Action
Hideo Kondo
1984 Volume 1984 Issue 7 Pages 37
Published: 1984
Released on J-STAGE: April 30, 2010
DOI
https://doi.org/10.11235/buyougaku1978.1984.37
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(214K)
Some Aspects in the Fundamental Technique of the Japanese Classical Dance
Aoi Shigayama, Setsuko Ishiguro
1984 Volume 1984 Issue 7 Pages 38
Published: 1984
Released on J-STAGE: April 30, 2010
DOI
https://doi.org/10.11235/buyougaku1978.1984.38
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(131K)
Takaya Eguchi and his Magazine “
Gendai Buyo
-Contemporary Dance”
Kazumi Kuwabara
1984 Volume 1984 Issue 7 Pages 39-40
Published: 1984
Released on J-STAGE: April 30, 2010
DOI
https://doi.org/10.11235/buyougaku1978.1984.39
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(379K)
A Genealogy of the
Buto
from 1960 up to the Present
Kazuko Kuniyoshi
1984 Volume 1984 Issue 7 Pages 41
Published: 1984
Released on J-STAGE: April 30, 2010
DOI
https://doi.org/10.11235/buyougaku1978.1984.41
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(218K)
The Premiere of the “
Sacre du Printemps
”
Fumio Hori
1984 Volume 1984 Issue 7 Pages 42
Published: 1984
Released on J-STAGE: April 30, 2010
DOI
https://doi.org/10.11235/buyougaku1978.1984.42
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(195K)
G. V. Rossi at the West End in London
Shiro Kusaka
1984 Volume 1984 Issue 7 Pages 43-44
Published: 1984
Released on J-STAGE: April 30, 2010
DOI
https://doi.org/10.11235/buyougaku1978.1984.43
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(334K)
Japanese Literature in Dance Researches (1983)
1984 Volume 1984 Issue 7 Pages 45-56
Published: 1984
Released on J-STAGE: April 30, 2010
DOI
https://doi.org/10.11235/buyougaku1978.1984.45
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(1758K)
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