During the Second World War, the internment of people of Japanese descent occurred in the U.S.A. and Canada simultaneously. Each country produced a documentary film about the internment. Although these documentaries were superficially similar, the two countries' political and cultural difference were reflected in them. In this study, a combined qualitative and quantitative analysis was conducted for the two films for a systematic comparative assessment. Consequently, substantial differences were observed in the two films on several respects. First, the number of “Frontal view of the internees” shots in the Canadian film exceeded those of Americans where people looked away from the camera and face the other direction. This phenomenon may be considered as a reflection of the cultural difference such as a family-like-co-existence and a symbolic assimilation. Second, when people of Japanese descent and Caucasian are in the same frame, they face opposite directions in the American film. However, the Japanese Canadians and Caucasians in the Canadian film face the same direction and are placed in an equivalent position on the screen. Third, based on the outliers, i.e., characteristic shots of the films, descriptions of Japanese and Western culture coexist in the Canadian film. In contrast, the U. S. documentary has only Western ones. In general, a reflection of the American way of assimilation and the Canadian co-existence in the content of the two war-time propaganda documentaries is observed. This study confirmed by combined qualitative and quantitative analysis the political and cultural differences of the two countries as reflected in their documentaries, which appeared similar on the surface. Although this study focused on documentaries produced during the Second World War, the method used here may be applied to the analysis of other video contents and contribute to future research in film-video media studies.
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