国立近現代建築資料館が所蔵する国立西洋美術館（ル・コルビュジエ設計）に関する資料例

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The aim of this paper is to clarify differences between portfolios of NAMA (National Archives of Modern Architecture) and NMWA (The National Museum of Western Art) and their relations to original drawings of FLC (Fondation Le Corbusier). The result is as follows: 1) There are differences that are beyond measurement errors in some plate layouts. 2) The colorings of NAMA’s and NMWA’s show subtle differences, both of which are different from those of the drawings of FLC. It suggests that both colorings are independent from each other. 3) Finally, we judge that both portfolios have different origins with different colorings.

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Compared with architects, not many people can list-up the names and achievements of structural designers. However, behind every great architects there are always structural engineers who supported them. In response to a request from the Museum of Modern and Contemporary Architecture, the Japan Structural Designers Club has been researching materials left by talented structural designers collaborating with Hamada laboratory at Hosei University since 2017. In this paper, based on the results of the survey, the achievements of representative Japanese modern structural designers are overviewed and discussed.

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NAMA (National Archives of Modern Architecture) has several drawings on NMWA (The National Museum of Western Art). The purpose of this report is to clarify the followings on them; 1) their making process, 2) their differences from the drawings sent from Atelier Le Corbusier, 3) their relations to the original drawings in FLC (Le Corbusier Foundation). The result is as follows: 1) The drawings of NAMA were only 9 drawings corresponding to the drawings sent from Atelier Le Corbusier. 2) They were not original drawings sent from Atelier Le Corbusier, but their handmade copies in Japan (Junzo Sakakura architects and engineers). 3) They come to be evidences of the design process of NMWA in Japan.

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This is the temporary report of architectural materials by MURATA Yutaka, who is in famous for PNEU and Nihon Bankoku exihibition in 1970, which is partly collected at “Le Centre du Pompidu”. His activity is not placed at the era, however the project might be jazzy and challenging. Half of the materials is already listed and published at NAMADB. New viewpoint of his activity will be found in the future after listed.

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This diary was written from 25th August to 19th November in 1960 by KISIDA Hideto. He visited several countries as chairperson of Tokyo Olympic facilities committee. His text is not official but private, therefore it shows directly his sights and ideas for architecture with his era. NAMA has three diaries and this is last one. After all three are published, it may be bespoken a part of his activities.

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This paper is a report on the Year’s Collection Show Case, “Museums by Japanese Architects 1940s–1980s: Origins and Trajectories” held at the National Archives of Modern Architecture, Agency of Cultural Affairs (Date: October 1st to November 15th, 2020). The purpose of this report is to document the process and outline of the exhibition planning. At the same time, through this exhibition, we will consider the possibility of disclosing the collection materials in the Architectural Archives.

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Ⅰ．資料の調査・保管等
Ⅱ．展示・教育普及
Ⅲ．情報収集
Ⅳ．調査研究等
Ⅴ．委員会
Ⅵ．運営
Ⅶ．予算
Ⅷ．組織
Ⅸ．年譜

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