Yokomitsu Riichi Studies

Yokomitsu Riichi Studies

Online ISSN : 2424-2462
Print ISSN : 1348-1460

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Issue 16 Pages 3-

Volume 2018, Issue 16

Yokomitsu Riichi and Proletarian Literature

Displaying 1-17 of 17 articles from this issue

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Special Issue-Yokomitsu Riichi and Proletarian Literature-

Perspective

Yokomitsu Riichi and Proletarian Literature in the Roaring Twenties

Yoshimitsu YAMAZAKI

2018Volume 2018Issue 16 Pages 3-7
Published: 2018
Released on J-STAGE: March 27, 2022

DOIhttps://doi.org/10.20822/yokomitsuriichi.2018.16_3

JOURNAL FREE ACCESS

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Feature Articles

Behind the Theory of Pure Novel

─A Study of Synchronicity with the Theory of Fact-Based Literature─

Takashi WADA

2018Volume 2018Issue 16 Pages 8-24
Published: 2018
Released on J-STAGE: March 27, 2022

DOIhttps://doi.org/10.20822/yokomitsuriichi.2018.16_8

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Discussion

Yokomitsu Riichi’s Deployment of Marxism (Theory)

Hidenori SOMATANI

2018Volume 2018Issue 16 Pages 25-29
Published: 2018
Released on J-STAGE: March 27, 2022

DOIhttps://doi.org/10.20822/yokomitsuriichi.2018.16_25

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Yokomitsu Riichi’s Deployment of Marxism (Practice)

Ruri YAHARA

2018Volume 2018Issue 16 Pages 30-33
Published: 2018
Released on J-STAGE: March 27, 2022

DOIhttps://doi.org/10.20822/yokomitsuriichi.2018.16_30

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Yokomitsu Riichi and Hirabayashi Taiko

Kenji SHIMAMURA

2018Volume 2018Issue 16 Pages 34-38
Published: 2018
Released on J-STAGE: March 27, 2022

DOIhttps://doi.org/10.20822/yokomitsuriichi.2018.16_34

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Yokomitsu Riichi and Hayama Yoshiki

Ritsuo TAGUCHI

2018Volume 2018Issue 16 Pages 39-42
Published: 2018
Released on J-STAGE: March 27, 2022

DOIhttps://doi.org/10.20822/yokomitsuriichi.2018.16_39

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Yokomitsu Riichi and Hirabayashi Hatsunosuke

Taiki TOMOZOE

2018Volume 2018Issue 16 Pages 43-47
Published: 2018
Released on J-STAGE: March 27, 2022

DOIhttps://doi.org/10.20822/yokomitsuriichi.2018.16_43

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Yokomitsu Riichi and “Proletarian Science”

Yumezo KATŌ

2018Volume 2018Issue 16 Pages 48-52
Published: 2018
Released on J-STAGE: March 27, 2022

DOIhttps://doi.org/10.20822/yokomitsuriichi.2018.16_48

JOURNAL FREE ACCESS

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Lecture

The Lecture Report: “Reading “Kikai”(Machine) as a Time-Consuming Process”(Summary)

Akio MIYAZAWA

2018Volume 2018Issue 16 Pages 53-58
Published: 2018
Released on J-STAGE: March 27, 2022

DOIhttps://doi.org/10.20822/yokomitsuriichi.2018.16_53

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Articles

Tominosawa Rintarō as one of “the New Sensation School”

─Characteristics of Expressions of “Amentia”─

Taiga KURODA

2018Volume 2018Issue 16 Pages 59-77
Published: 2018
Released on J-STAGE: March 27, 2022

DOIhttps://doi.org/10.20822/yokomitsuriichi.2018.16_59

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“Humor”as Literary Strategy

─A Study of Yokomitsu Riichi’s “Onmi”─

Takeshi ŌKAWA

2018Volume 2018Issue 16 Pages 78-92
Published: 2018
Released on J-STAGE: March 27, 2022

DOIhttps://doi.org/10.20822/yokomitsuriichi.2018.16_78

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Missions of the Observer

─The Representation of Physics in Yokomitsu Riichi’s “Gaka”─

Yumezo KATŌ

2018Volume 2018Issue 16 Pages 93-108
Published: 2018
Released on J-STAGE: March 27, 2022

DOIhttps://doi.org/10.20822/yokomitsuriichi.2018.16_93

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Yokomitsu Riichi and the Berlin Olympics

Yūki NAKAI

2018Volume 2018Issue 16 Pages 109-124
Published: 2018
Released on J-STAGE: March 27, 2022

DOIhttps://doi.org/10.20822/yokomitsuriichi.2018.16_109

JOURNAL FREE ACCESS

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Research Note

Mysterious Submarine: On Film

─Machi no senkoutei─

Wataru NAKAZAWA

2018Volume 2018Issue 16 Pages 125-130
Published: 2018
Released on J-STAGE: March 27, 2022

DOIhttps://doi.org/10.20822/yokomitsuriichi.2018.16_125

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Book Review

Kuroda Taiga. Yokomitsu Riichi to sono jidai: modernism・media･sensō

Miharu NAKAMURA

2018Volume 2018Issue 16 Pages 131-134
Published: 2018
Released on J-STAGE: March 27, 2022

DOIhttps://doi.org/10.20822/yokomitsuriichi.2018.16_131

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A Yokomitsu Riichi Glossary

“Oryū”

Ruri YAHARA

2018Volume 2018Issue 16 Pages 136-137
Published: 2018
Released on J-STAGE: March 27, 2022

DOIhttps://doi.org/10.20822/yokomitsuriichi.2018.16_136

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“Kōgai” (the suburbs)

Yūki NAKAI

2018Volume 2018Issue 16 Pages 138-139
Published: 2018
Released on J-STAGE: March 27, 2022

DOIhttps://doi.org/10.20822/yokomitsuriichi.2018.16_138

JOURNAL FREE ACCESS

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