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  • 秋山 隆志郎, 大沢 啓子
    視聴覚教育研究
    1981年 12 巻 1-11
    発行日: 1981/03/31
    公開日: 2017/07/18
    ジャーナル オープンアクセス
    This study was conducted in March, 1980, as one of the activities of the Research Project on Television Programing for 2-Year-Olds. Our first study, Report No.l, disclosed that short TV segments "Fruits Counting" in which 3 persons were verbally counting from 1 to 3, attracted the attention of 2-Year-Olds. For the second study, we produced 7 TV segments which were experimentally controlled. They were "Original Fruits Counting" "Toy Counting" "Geometrical Solid Body Counting" "Fruits Counting in Serious Way" "Fruits Counting without Calling Number" "Fruits Counting without Counting-Boxes" "Fruits Counting, persons are out of TV Screen." These segments were randomly arranged in 20 minutes stimuli-program with other segments. The stimuli-program were shown for 33 children and their attention were measured and analysed. Except "Fruits Counting in Serious Way," 6 segments attracted their attention. According to these results, it is possible to interpret that 2-Year-Olds likes to watch "Counting screened on a simple picture" while they watch less if "Counting" shown in serious way.
  • 宇治橋 祐之
    放送研究と調査
    2019年 69 巻 1 号 2-17
    発行日: 2019年
    公開日: 2019/02/20
    研究報告書・技術報告書 フリー
    1959年1月、日本初の教育専門局として開局したNHK東京教育テレビジョンは2019年で60年を迎える。当初は学校放送番組や語学番組などの講座番組が中心であったが、1980年代には社会全体が生涯学習を志向するようになったこともあり、子ども向け番組や、社会人そして高齢者を対象とした番組が増え、90年代からは「ゾーン編成」が取り入れられる。2000年代になると、さらに多様な番組を展開するとともに学校放送番組や趣味実用番組を中心に、インターネットへの展開を積極的に進める。2009年、教育テレビ開局50年には「ETV50 学ぶ冒険」をテーマに特別番組やイベントを開催。2011年には「Eテレ」という愛称を採用、「未来を志向するチャンネル」として番組を改変、2017年からは「みつかるEテレ」をキャッチコピーとして、さまざまなキャンペーンやイベントを展開している。本稿では教育テレビ60年の歴史を、各年度の「国内放送番組編集の基本計画」と放送番組時刻表を基に、NHK放送文化研究所の調査や論考、教育テレビ開局周年記念番組の内容などを参照しながらみていく。
  • 河野 次男
    放送教育研究
    1975年 5 巻 10-24
    発行日: 1975年
    公開日: 2017/07/18
    ジャーナル オープンアクセス
  • 2歳児テレビ番組研究第1報告
    大沢 啓子, 秋山 隆志郎
    日本教育工学雑誌
    1981年 5 巻 4 号 163-177
    発行日: 1981/02/20
    公開日: 2024/11/30
    ジャーナル フリー

    本研究では, 2歳児におけるテレビヘの注視行動とテレビの視聴覚的な特徴(属性)との関連性について,属性分析(attribute analysis)に基づき検討した.既存の放送済テレビ番組から選出した,15秒~約4分の短いセグメソトの中で,2歳児が比較的高い注視を示したものを対象に,「注視ー非注視」と43の属性それぞれの「有一無」とを,0.5秒ごとに連続記録した.そして,注視と属性が同時生起する割合に基づき,43属性について属性分析を行なった結果, 2歳児の注意をひくと思われる属性のいくつか(たとえば,子どもの姿や声,大型動物,非移動性活発,等)が明らかとなった.そこで, 2歳児に対して効果的なテレビの視聴覚的特徴や番組構成について討論を行なった.

  • 秋山 隆志郎, 小平 さち子
    放送教育研究
    1987年 15 巻 1-12
    発行日: 1987/05/31
    公開日: 2017/07/18
    ジャーナル オープンアクセス

    The Research Project which consists of the production staff of NHK's preschoolers's TV series "Okaasan to Issho (With Mother)," researchers of the NHK Broadcasting Culture Research Institute and university professors has undertaken multi-faceted efforts to study and develop new TV programs for small children, especially for 2-year-olds since 1978. One of the main purposes of our study in 1986 was to develop a new animation series, whose target audience could be 2-year-old children, as a part of "With Mother." The main character in the animation should represent a typical personality or behavioral style among small children such as untidy or bully child and this characteristic should be clearly brought out during the minute-or-two duration of the story. The purpose of this series is to let small children learn a lesson from this by watching the television which is continuously depicting a character behaving just like themselves. An experiment was conducted in March 1986 to examine the degree of attention and understanding of the two experimental animation programs, "Yadamon (the Hard-to-Please Child)" and "Tazura (the Mischievous Child)" by small children; 50 2-year-olds and 46 4 -year-olds. The experiment was conducted on each child with his (her) mother present in a viewing room, and each child watching TV was videotaped from two cameras. The following reactions were recorded second by second by using a Time Series Analyzer: attention reaction to the experimental programs, language reaction and smile reaction. After the child watched the experimental programs, a researcher asked the child several questions to analyze the child's understanding of the story: recognizing the main character, spontaneous recall of the program content, recalling sequences with photographs, etc. The attention rating of "Yadamon" and "Tazura" was high from the beginning till the end for both the 2-and 4-year-olds; however, results of the test after viewing showed that story seemed a little difficult especially for 2-year-olds. Further surveys were conducted successively in November 1986 and February 1987, to find out if 2-year-olds could really enjoy and get the message after several-month-repeatedly viewing, from this new animation series, which was finally entitled "Konna ko iru kana (Kids Like Us)"-six characters (including revised "Yadamon" and "Tazura") × six stories-and broadcast since September 1986. Another main purposes of the experiment in 1986 was to compare the reactions of small Japanese children watching the original English version of "Sesame Street" and the one dubbed in Japanese. The experiment was conducted under the same procedures already described. After discussing several skits used in "Sesame Street" which had been sent from Children's Television Workshop, we selected a 2-minute-30-second muppet skit, 'At the Movie Theater.' Our assumption was that small children who have not yet learned enough Japanese would pay attention to both English and Japanese versions of the program equally, but those who are more advanced in Japanese would show a higher attention rating to the Japanese version. The attention rating for both the 2-and 4-year-olds for the Japanese and English versions has a similar curve. The attention rating for the climax rises with every age bracket watching Japanese version, whereas their attention rating for the English version decreases. With the 4-year-olds, there is a big difference in the attention rating between the English and Japanese versions in sequences where the important dialogue for understanding of the story 'At the Movie Theater' is concentrated. The countries of the world have high hopes for top quality children's programs and more and more effort will be put into international co-productions

    (View PDF for the rest of the abstract.)

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