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  • 中野 恒明
    デザイン学研究特集号
    2000年 8 巻 1 号 2-7
    発行日: 2000/10/31
    公開日: 2017/11/27
    研究報告書・技術報告書 フリー
  • 重山 陽一郎, 名雲 勝志, 別府 義晴
    照明学会誌
    1994年 78 巻 Appendix 号 284
    発行日: 1994/07/18
    公開日: 2011/07/19
    ジャーナル フリー
  • 大下 茂, 天野 光一, 熊耳 冬樹
    観光研究
    1997年 8 巻 2 号 9-18
    発行日: 1997年
    公開日: 2017/04/01
    ジャーナル フリー
    This study aims to identify the foundation promotions of "THE MINI DOICURTTSUKOKU = the activity for regional revitalizaton with taking the region as if it is an independent country" which have developed over the area of municipalty, and consider the methods of regional revitalization which makes the regions famous with announcing its original informations. The results are as follows: 1) Founding "THE MINI DOKURTrSUKOKU" contributed toward characterising the regional promotion, and they were valuable methods of regional promotion especially with the attractive themes and lastingnesses. 2) These actualities were made clear by the questionnaires; especially achiving fame by these methods had much effect on its following regional promotions. 3) At the beginning of these methods they found the original themes and proceeded to bring up talents and systems, then to increase financial resources and properties. The foundation promotions of "THE MINI DOICURITSUKOICU" were so apparent methods that aroused sympathy and deepened understanding of the parties concerned especially at the early stage of regional promotions.
  • 向井 文悟, 窪 誠司
    照明学会誌
    2000年 84 巻 Appendix 号 180
    発行日: 2000/08/24
    公開日: 2011/07/19
    ジャーナル フリー
  • 照明学会誌
    1999年 83 巻 12 号 887-888
    発行日: 1999/12/01
    公開日: 2011/07/19
    ジャーナル フリー
  • 事前実験を踏まえた住宅団地へのボンエルフ導入
    中野 恒明, 山本 理, 久保田 尚, 新谷 洋二
    都市計画論文集
    1988年 23 巻 373-378
    発行日: 1988/10/25
    公開日: 2020/08/01
    ジャーナル フリー

    The purpose of this study is to investigate the effectiveness of experimental approach in improving residential streets. To this end, we experimentally introduced Woonerf in a residential development which has had parking problems. In this paper, we analyzed the change of residents' acceptance of the proposal, and described our effort to improve the experimental Woonerf. The result shows that the experimental proposal can enhance residents' positive concern toward the project and the problem itself, and, by adopting experimental approach, planners can easily take up the needs of residents, who are most familiar with the residential streets.

  • 岡田 智秀, 横内 憲久, 桜井 慎一
    土木学会論文集
    1997年 1997 巻 555 号 61-70
    発行日: 1997/01/20
    公開日: 2010/08/24
    ジャーナル フリー
    市民へ向けた港湾の開放化 (一般開放) に伴い, その対象地では多様な景観要素が現出するようになった. そのような場では, 港湾特有の景観要素である港湾施設の眺めを市民に認知させ, 市民に港湾への理解を深めさせるような景観整備を行うことが重要になろう.
    そこで本研究では, 写真投影法を援用した現地 (港湾) でのヒアリング調査を通じ, 港湾空間における港湾施設の景観的位置づけ (順位) や, 港湾施設が主対象または背景として認知される際の, 港湾施設と現存する他の景観要素との好ましい組合せおよびその組合せを成り立たせる景観の特性などについて明らかにした.
  • 平松 晃一
    地理学評論 Series A
    2016年 89 巻 6 号 283-302
    発行日: 2016/11/01
    公開日: 2019/10/05
    ジャーナル フリー

    本稿は,建造物や景観の保存によって過去を示すとされるヘリテージの創出において,保存建造物はどのように選択されるか,また過去がどのように示されるかを明らかにする.事例とする象の鼻パークは,2009年,「横浜港発祥の地」をテーマに創出されたヘリテージである.象の鼻パークは,さまざまな公的事業によって,次々と新たな役割を課せられた.このため,個々の建造物の存廃決定過程において,歴史的な価値づけは,美的,経済的な価値づけとの対立を回避するよう,柔軟に変化しながら行われた.その結果,保存建造物の選択は,ヘリテージ全体にはたらく意図にのみ従うのではなく,流動的なものになり,個々の選択との整合性を図るためにヘリテージ全体の価値づけが見直されることもあった.また,象の鼻パークで示される過去は,計画の途上いつでも,さまざまな基準で取捨選択でき,さまざまなかたちで示すことができる可鍛性の高い資源として利用された.

  • 北川 啓介, 黒田 祐五, 水野 翔太
    日本建築学会計画系論文集
    2017年 82 巻 735 号 1297-1307
    発行日: 2017年
    公開日: 2017/05/30
    ジャーナル フリー
     Building and space basically are the aggregate of the substance of three dimensions. In text description of buildings, architects freely uses line which is concept of one dimension and explain concept and composition of building which is three dimensions. Since the process on which we create meanings of words is based on our own mental activity, one word would have numerous meanings, which leads to polysemy. Equally, architects have described various meanings of words in terms of their linguistic activity. Meanings of line are organized by their own several recognitions to line. For these backgrounds, to consider the polysemy of line is important for evaluating the buildings created by architects. In this research we clarify polysemy of line in text description by architects.

     The flow of this research is as below:
     1. Extract the sentences that contain words associated with the meaning of line used by architects to explain their design of architecture in the architectural magazine, Shinkenchiku during 1950-2010.
     2. Extract Type of Line, Adjectival Term, and Verbal Term. Type of Line is the word described as the line or related to it. Adjectival Term is the modifier for Type of Line to express its property and a state . Verbal Term is the modifier for Type of Line to express its action.
     3. Analyze and consider the relationships between Type of Line and Adjectival Term, Type of Line and Verbal Term. After that, derive the tendencies of their relationships.
     4. Categorize the relationships by creating a matrix in which the horizon axis is the tendency of Type of Line and Adjectival Term, and the vertical axis is of Type of Line and Verbal Term then derive aspects of polysemy of line.

     As a result, four tendencies of the relationships between Type of Line and Adjectival Term were found: Line which shows system, Transfiguration of the line by a factor, Impresed line which occurs with the phenomena, Direction which occurs by visual recognition. And three tendencies of the relationships between Type of Line and Verbal Term were found: Manifestation of the line with recognition, Technical skill which completes system, Delivery and reception of the line which exists in the space.

     Through the investigation of a matrix, 25 different types of interpretations about polysemy of line were derived. Within these types, four major frameworks were found as below: Line which records the consecutive movement, Line which shows the recognizable present phenomena, Line which sumilates appearable phenomena, Line where concept of time exists with the experience, interpretation, recognition and sensitivity of the human multidimensionally. Architects have regarded these four lines in 4 phases, conception, planning design, completed building and utilization of architecture and have utilized the right line for the right place. At that time, it revealed that architects do not only provide a certain concept by line, but also influence completely other phenomena, influence it by mixing other phenomena and create the egotistical and ideal situation.

     Since time and a human being are mixed in the architecture and space that are physically three dimensions, various dimensions coexist, and the architecture and space cannot be called merely three dimensions. Also, the description about the line was able to confirm the expression to make a round trip to the dimension. Therefore, among space, time and human, it revealed that the architects regarded a building flexibly through a line by making a round trip to the various dimensions.
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