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  • 田中 泰志
    電気設備学会誌
    2018年 38 巻 11 号 643-646
    発行日: 2018年
    公開日: 2018/11/10
    ジャーナル フリー
  • ―― 北海道大学総合博物館のムラージュと南条議雄 日本におけるムラージュ常設展示の試み――
    石原 あえか
    西日本皮膚科
    2015年 77 巻 5 号 447-452
    発行日: 2015/10/01
    公開日: 2016/03/15
    ジャーナル 認証あり
  • 早川 惠子, 小林 正幸, 霜村 麦, 副島 賢和, 大熊 雅士
    学校メンタルヘルス
    2016年 19 巻 2 号 182-191
    発行日: 2016年
    公開日: 2021/04/08
    ジャーナル フリー

    【目的】本研究の目的は,2011年の東日本大震災で被災した子どもを対象としてレジリエンスの向上とストレス反応の低減を目的とした野外教育活動による子どもの変化を明らかにするためのものである。

    【方法】2012年7月に野外教育活動への参加を希望する129名の子どもの保護者に対して,震災時の被災状況とストレス反応を含む質問紙調査を実施した。8月にこれらの子どもたちは,レジリエンスの向上とストレス反応の低下を目的とした野外教育活動に1~2回参加した。半年後,フォローアップ野外活動が実施された。

    【結果】(1)ストレス反応を調べた項目の因子分析の結果,3因子(「不安と甘え」「怒り」「よい子」)が抽出された。(2)夏の活動以降6カ月時点で,30名の参加者の「怒り」因子が有意に低下した。(3)自由記述に回答した保護者の30名中25名全員が夏の活動以降子どもの行動が望ましい方向への変化を報告したことが示された。

    【考察】上記の結果から,野外教育活動が子どものストレス反応の減少に有効である可能性が示唆された。野外教育活動のどのような構成要素が効果的であるのかについて論じられた。

  • 小塚 みすず, 久谷 真輝
    都市計画報告集
    2024年 22 巻 4 号 659-664
    発行日: 2024/03/11
    公開日: 2024/03/11
    研究報告書・技術報告書 フリー

    障がいのある人々にとって外出は容易なものではない。本研究の対象である,重度の肢体不自由と知的障がいのある「重症心身障がい者」は身体的機能や介助者の負担などから外出自体が困難な場合がある。新型コロナウイルス感染症の蔓延禍では,障がい者は健常者以上に影響を受け,外出先での活動内容の見直しや外出機会自体が減少したと考えられる。本研究では,コロナ禍において障害福祉サービス等事業所が外出を伴う余暇活動を実施する際に考慮事項や課題を明らかにすることで,外出時の障がいとなる要因を把握するとともに,外出時の身体的負担を軽減するための配慮事項や取組を探る。

  • 加納 慎一郎
    電気設備学会誌
    2017年 37 巻 12 号 874-881
    発行日: 2017年
    公開日: 2017/12/13
    ジャーナル フリー
  • 市井 雅哉
    心身医学
    2012年 52 巻 9 号 819-827
    発行日: 2012/09/01
    公開日: 2017/08/01
    ジャーナル フリー
    EMDR(眼球運動による脱感作と再処理法)はPTSDを治療できると推奨されている実証性の高い心理療法である.EMDRは外傷記憶を処理でき,外傷記憶が関連する疾患は幅広いので,その適用範囲はPTSDにとどまらず広範囲にわたる.PTSDの診断基準はDSM-5に向け現在改訂中であるがAクライテリオンから主観性の項目が消えるようで,そこには,外傷周縁の解離がPTSDの深刻度を予測できる問題が絡んでいる.また,侵入的な症状と鈍麻性の症状の両方が含まれているのが特徴的で,幅広い症状を扱う治療法が求められているといえる.EMDRの手続きと治療モデル-適応的情報処理モデルを概略し,外傷的な記憶を出来事の肯定的な要素と結びつけることができる可能性について述べた.EMDRの適用の際には,個人がもつ外傷記憶を,生育歴全体に及んで聴取し,必要に応じて養育早期などの過去にさかのぼり処理することが大きな改善へとつながる.症例では,40代の公務員男性で,EMDRによる警察での冤罪被害記憶の処理,また養育早期の親からの虐待的記憶の処理が自殺企図や抑うつの改善につながった治療例を紹介した.
  • ―ロシア・東欧における文化的アイデンティティの模索―
    沼野 充義
    ロシア・東欧研究
    2002年 2002 巻 31 号 38-55
    発行日: 2002年
    公開日: 2011/04/19
    ジャーナル フリー
    The purpose of this paper is to discuss a remarkable aspect of contemporary Russian and East European literature after the perestroika: fragmentation as a literary device. The preliminary assumption for this approach is that these areas can be, in spite of their diversity, treated productively as a cultural sphere integrated loosely by their common geopolitical experiences.
    By “fragmentation”I mean the device of structuring novels (and prose works in general) with fragments, not following any consistent development of plot. Although this device is not new to the 20th-century novel, it became particularly conspicuous in the contemporary literary scene of Russia and Eastern Europe in the 1990s. What runs parallel to it is the collapse of monolithic value judgment system which dominated Socialist countries before the perestroika. A dramatic illustration of this is the split of the Writers Union of the USSR and the consequent irreconcilable conflict among various factions of writers.
    Karen Stepanian maintains that one of the most characteristic aspects of postmodernism in contemporary Russia is the belief that existence consists of arbitrary fragments. It explains clearly why contemporary writers in Russia and Eastern Europe have developed a tendency toward “fragmentation”. In this paper I discussed the following cases as remarkable examples of this tendency: Galkovskii's The Endless Cul-de-sac (1988), Prigov and Moscow Conceptualism, Kabakov's total
    installation
    The Palace of Projects (1995-98), Bitov's The Inevitability of the Unwritten (1998), Erofeev's The Encyclopedia of the Russian Soul (1999), Pavic's Dictionary of the Khazars (1984), and Esterházy's works.
    However, in Russia there recently appeared a certain tendency toward what might be considered reintegration of fragments. Works with such a tendency are filled with nationalistic sentiment, aiming after the reacquisition of the superpower that Russia used to possess. Pavel Krusanov's The Bite of the Angel (2000) is typical of such a tendency. Some recent Russian films, such as Nikita Mikhalkov''s The Siberian Barber and Aleksei Balabanov's Brother 2, also come in this category.
    The tendency from fragmentation to reintegration (from the collapse of the superpower to the return to it) can also be seen in the recent political movement of the group “Idushchie vmeste”. In July of 2002, Vladimir Sorokin, the most outstanding representative of Russian postmodernism, and his publisher Ad Marginem were indicted by “Idushchie vmeste” for “circulation of pornography”. This incident shows the ongoing severe conflict in Russia between the postmodern camp and the anti-postmodern camp.
  • 西田 智裕, 伊藤 孝紀, 山本 雄一, 韓 鈺
    日本建築学会計画系論文集
    2020年 85 巻 778 号 2517-2527
    発行日: 2020年
    公開日: 2020/12/30
    ジャーナル フリー

     In recent years, the new housing market is expected to shrink in the medium to long term due to the declining population and aging.Among them, the renovation market has been activated.

     The Ministry of Land, Infrastructure, Transport and Tourism is developing homes with longer life spans and multiple generations.One of them is the skeleton infill housing, which has the flexibility to meet the diverse needs of residents.Until now, partitions and storage furniture with changeability and renewability have been proposed for skeleton infill houses.

     The partition can maintain privacy to by dividing spaces.In addition, the partition can be formed into an L-shaped or U-shaped shape having a side length by connecting the ends at right angles.

     The purpose of this study is to clarify the perceived shapes and visual impressions of the side length in the U shape partition. The videos of all 36 partitions were displayed to the subjects at random in the experiment.After that, the subjects wrote the perceived shapes on the floor plan, and answered questionnaires for visual impressions.The experimental video was taken using VR presentation 1/10 scale models and was viewed using a head-mounted display.

     Table 4 shows the correlation coefficients between the sum of the lengths on both sides, the number and areas of perceived shapes.The correlation coefficient between the number of perceived shapes and the sum of both side lengths was 0.87.We found that the side lengths in the partition greatly contributed to the number of perceived shapes.

     Fig. 10 shows the relationship between perceived shapes and side lengths.A large difference in the length of both sides [D. Both sides asymmetry] suggested that three or more types constituted 50% of the cumulative composition ratio, and thus divided in various ways.

     Fig. 12 shows the relationship between perceived shapes and visual impressions.Focusing on the value of [T0-0] in [a. No side], the relationship becomes weaker when any of the side lengths is 300 mm or more.Also, it was found that the comfort was improved when the thickness was 600 mm or more.

     Focusing on the sum of the side lengths in A [1, 8], long patterns tend to have weak "relationship" and short patterns tend to have "relationship". In B [2, 8] and C [3, 8], the weaker the relationship, the better the comfort. In D [4, 8], the relationship is strong. In F [1, 3, 8] and G [1, 3, 6, 8], comfortable is good.

     From these results, it was suggested that the space could be variously divided according to the side length in the U shape partition. We found that the side length in the U shape partition has the effect of providing a comfortable and attractive space while preserving privacy.

  • 深石 圭子, 木下 庸子, 大内田 史郎
    日本建築学会計画系論文集
    2019年 84 巻 763 号 2005-2015
    発行日: 2019年
    公開日: 2019/09/30
    ジャーナル フリー

     Nobuko Nakahara is one of the prominent architects who led the postwar housing design and established Hayashi-Yamada-Nakahara, Architects and Preservation in 1958. In this paper, it is aimed at comprehensively clarifying the design process and the background of “Chogakuin temple (1962)” with the HP shell roof which was completed just 4 years after her office was founded. She entered the Ikebe Laboratory of the Institute of Industrial Science, The University of Tokyo as a technical research student, and in the midst of the Controversies on Japanese tradition that involved Kiyoshi Ikebe, she was in charge of designing works “Number 20” and “Number 28.” In addition, the Ikebe Laboratory was actively working on a shell structure which was a new technology at that time. And, Nakahara closely related herself to “Numazu City Public Hall(1953)” designed by Ikebe Laboratory, and became close to Hoji Nukushina who was indirectly involved in structural design and Takumi Orimoto, a structural designer of “Number 38 (1958)”. Buildings adopting HP shell in Japan were built from around 1952. The number of shingles of the HP shell accounts for mostly one which constitutes one unit by one sheet and one which constitutes one unit by four sheets. As a new construction of reinforced concrete construction, “Chogakuin temple” is a work that Nobuko Nakahara first worked on after the establishment of the office and was published in a magazine titled “Integration of HP Shell and Tradition.” Chief priest and Parishioners wanted a warm and soft atmosphere. Therefore, Nakahara responded to the demand by adopting "Disconnected HP shell, " for example, by curving the edge beam of the shell. At the time, there were no roofs of exactly the same shape as this. The roof of the main “Chogakuin temple” is a combination of 4 HP shells, and its roof is supported by 4 pillars. The beams and pillars have an equilateral triangular cross-sectional shape, and they handle rainwater with grooves in them. Works that used “Disconnected HP shell” in times when structural expressionism is popular, “Chogakuin temple” is the only example, other than the saddle shell.

     The reason why Nobuko Nakahara was able to complete the design of “Chogakuin temple” to integrate HP shell and the Japanese tradition in 1962, the following could be noted.

     1. She learned about modern architectural thinking from Kiyoshi Ikebe so she could understand Japanese traditional design and structural expressionism.

     2. She experienced the Controversies on Japanese tradition in Ikebe Laboratory and others, and established a basic way of thinking against this problem. She accepted positively the desire of Chief priest and Parishioners while designing this temple.

     3. In the Ikebe Laboratory which was motivated to apply the new technology, she learned about HP shell, gained network with structural designer Hoji Nukushina and others, and completed the “Chogakuin temple” design under the support of them.

     The way of thinking of Kiyoshi Ikebe about tradition simply did not adopt the Japanese element as it was. On the Contrary, it was going beyond tradition using new materials, construction methods, and techniques. As a disciple of Kiyoshi Ikebe, Nobuko Nakahara followed his idea with the cooperation of others and applied them to “Chogakuin temple” in its realization.

  • 旭川工業高等専門学校 研究報文
    2017年 54 巻 9-32
    発行日: 2017年
    公開日: 2018/09/21
    研究報告書・技術報告書 フリー
  • AtoM(Access to Memory)を事例に
    金 甫榮
    アーカイブズ学研究
    2020年 32 巻 4-29
    発行日: 2020/06/30
    公開日: 2021/07/16
    ジャーナル フリー

    本研究では、アーカイブズ資料のためのオープンソースソフトウェアであるAtoM(Access to Memory)を事例とし、アーカイブズ資料情報システムを構築・運営する際に考慮すべき点について考察する。すでにAtoM を利用して構築された複数のサイトを分析した結果では、利便性向上のために必要な点として専門用語やアクセスポイントの適切な活用など、いくつかの課題が明らかになった。また、AtoM を用いた組織アーカイブズ閲覧システムを構築し、2019 年に運用を開始した渋沢栄一記念財団の事例では、AtoM を活用する際に考慮すべき点を具体的に述べる。最後には、この二つの研究結果に基づき、アーカイブズ資料情報システムのあり方について考察する。

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