This paper describes on the Smart community for -ku in Tokyo, featuring to utilize the mooring vessels powers, the next generation electric vehicles, photovoltaic powers with disaster proof smart meters and newly introduced citizen institution. The purpose of community is to establish the carbon cutback and high security declared on the city master plan of -ku. Tokyo University of Marine Science and Technology (TUMST) and -ku have been cooperating in any aspect in the technology and consultations for various enterprises conducted in -ku. This is one of the cooperation work and TUMST proposed the plans for the effective energy utilization and high security.

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The -tsukuri Shihou Excavation Program is in the process of selecting -tsukuri Collections. Currently, there are sixteen -tsukuri Collections, and we will select the -tsukuri Shihou from the pool. Prior to the selection, we will organize our discussion points, including the program's background, its history hitherto, and an explanation of what -tsukuri entails. We will clarify the direction of this program to promote its activities for the next ten years of the Transdisciplinary Federation of Science and Technology.

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“-tsukuri” is a concept of “making fact” which is used in contrast with “Mono-zukuri” (“making things”). It is a way to create logical and abstract chain of thinking rather than to create things by hand and by machine. TRAFST has been emphasizing importance of “-tsukuri” way of thinking in academic sectors, in industrial sectors and in business sectors. There have been, however, questions on what “-tsukuri” is in academic definitions or on how to describe and utilize it in practical world. The special panel session “Treasures in -tsukuri” was organized in the 14^th TRAFST Conference 2023 to discuss academic and practical aspects of “-tsukuri”. This paper summarizes presentations and discussions in the special panel session together with historical records on “-tsukuri” activities in TRAFST.

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It has been mandatory to introduce the teaching of playing Japanese musical instruments in junior high school in Japan since 2002. Consequently, it has become necessary to teach the college student to be music teacher, including practical learning, in their education. In this education, it is necessary for them to acquire the performing techniques and to appreciate the characteristics of sound culture in Japan. When teaching, it is important to confirm to what extent the students acquire the performing techniques and how they appreciate the tones of the . In this study, through getting the students to perform the and asking them how they are performing it well, we investigate to what extent the tones of the can be appreciated by them, the beginners attending the performing class seven times. The results from this investigation will be made the best use of in the teaching and study-planning of the . This study makes the following clear: the students feel the characteristics of both the Japanese sounds and the -tones related to them, conceptualize those characteristics, and acquire them as knowledge.

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In this essay, we take the position that we should consider “kotodama” not as a primitive faith, but as a primitive fact, by which all other facts are possible. “Kotodama” is etymologically composed of (language) and tama (spirit). The moment of is concerned not only with the fields of linguistics in the narrow sense, but widely with the dimension of epistemological articulation, including the conflicts of (words) with (happenings or acts). On the other hand, the moment of tama is related to the dynamics of the spirit or the soul, especially its ontological transformation.

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The following are the results of our investigation on decayed and lost teeth and food preference, which was carried out on a total of 4, 138 fifth-grade pupils (2, 028 boys and 2, 110 girls) in the elementary schools of Ward, Tokyo in the 37th year of Showa (1962).
1. As for their decayed and lost teeth, the comparison between national figures and those of the pupils in area reveals the following:
1) The cases of untreated dental caries among pupils amount to 65.4%, lower than the national average by more than 10%.
2) The number of decayed teeth per capita is 0.7 in , about 1 fewer than the national figure.
3) When dental caries is observed under different classes of C₁, C₂, C₃ and C₄, the percentages of the decayed teeth under C₁, C₂, C₃ and C₄ against the total number of teeth are respectively 3.7%, 1.7%, 1.4% and 0.4%. Compared with the national percentages, those of C₁, C₂ and C₃ are respectively about 60% of the national ones, while C₄ takes up almost the same percentage as the national one.
4) The lost teeth among the pupils account for 0.4% of the total number of teeth, somewhat higher than the national percentage.
5) As viewed from the above records, the status of dental sanitation for the pupils in Ward is considered to be better than the national status.
2. As the result of our investigation on the unbalanced diet habit of the pupils in area, it is known that the unbalanced diet occurs more frequently in those who are free of dental caries than in those who have decayed teeth.

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The phrase “-tsukuri”, which is known to be a unique, original expression in Japanese, is supposedly one of the most important keywords in terms of TRAFST’s focus. Nonetheless, the phrase shows considerable ambiguity, and thus, TRAFST is in need of an unequivocal definition of the phrase. In this paper, we inquire how to redefine the phrase by illuminating the conceptual difference between “Mono” and “” in ordinary use. We conclude that the contrast between “Mono” in “Mono-tsukuri” and “” in “-tsukuri” should be characterized in light of the relation between means and event or phenomena it brings about.

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We TraFST will begin “-tsukuri Certification Program (tentative name)” as well as World Heritage. There are similar programs in The Japan Society of Mechanical Engineers and Information Processing Society of Japan. The TraFST came up with the concept of “-tsukuri” first in Japan, have been emphasizing its value and have been promoting. Therefore, the TraFST proposes “-tsukuri Certification Program” to visualize activities of the TraFST and its member societies, to let them be public goods and to apply them to the college education. In this report, we will survey the tradition of -tsukuri and the meaning of certification program.

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TV news reports and newspaper articles belong to the same media genre. Do they have common lexical patternings which characterize the reporting style? To answer this question we compared the features appearing at the end of each paragraph in TV news reports and newspaper articles. The analysis reveals that they have several common lexical patternings: (to/ni/ ni) suru, (to/ni/ ni) naru, to shiteiru, simesu and other forms of reporting verbs. The analysis also reveals that TV news reports have some special features: ( ni) siteimasu, (to iu) kotodesu, wakarimasita. All of these lexical patternings and their uses can be incorporated in the Japanese language education.

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This paper describes the knowledge representation of the melody and rhythm in songs based on the structure of the domain: the scale, melisma (the melody in a syllable), and bar. We have encoded scores and extracted 2,3,4-note melodic patterns sequentially from the voice part of scores. The 2,3,4-note patterns used in the melisma are limited and the percentages of top patterns are high. The 3,4-note melodic patterns are examined at each scale degree. These patterns are more restricted than the patterns that are possible under the constraint of the scale. These typical patterns on the scale represent the knowledge of players. We have analyzed rhythms in two different ways. We have extracted rhythms depending on each melodic pattern, while we have extracted rhythms depending on each bar. The former are complicated and the latter are typical. This result indicates that players recognize melodic patterns and rhythmic patterns independently. Our analyses show the melodic patterns and rhythmic patterns that are acquired by players. These patterns will be applied to the description of variations of the melisma to build a score database. These patterns will also be applied to a composition and education. The melodic patterns can be extracted from other genres of Japanese traditional music, foreign old folk songs or chants by using this method.

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Concerning the use of "" and "no" in Japanese language, depending on the governing verb one can use either both interchangeably, or only one them. If one can use both, however their meaning is not exactly the same, but depends on the selection made. The following two rules may show how to distinguish between the two words by use of understanding the degree of realization implied in the embedded sentence. (1) Given that the embedded sentence expresses the realization of something, "no" is used if the event of the embedded sentence and the event of the main sentence occur at the same time, however "" is used, if not. (2) If the embedded sentence is not a realization of something, "no" is used if the possibility of realization is considered high, "" however is used, if not.

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This paper describes the current activity of “-tukuri Shihou Nintei Committee(Honorable -tukuri recognition activity)”. Especially the working group discussion is introduced to enhance the future activities. Key items are as follows, 1) definition of honorable “-tukuri” for recognition, 2) Who recognize ? and 3) How to recognize and select ?

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Toshikage Hyoryu-Tan is a mythological story about the ancestors in a family that deifies "". A son of a god takes a trip to his mother's country and is given a "", the sacred instrument. This instrument, as promised, makes him the ancestor god of the family. "" symbolizes the fact that prosperity will come to the family. This story describes the beginning of a family and explains that the center of the wrold has been transferred from the nation to the family. It also represents the family-centered world in the long story, Utsuho.

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Hydrogeological features of karst water in the central area of the West Akiyoshi Plateau, Southwest Japan are dealt with based on fluorescent dye tracings. Groundwater in this district usually drains eastward to the southern part of Kama Polje where the -gawa (river) flows southerly. In flooding time, however, it drains southward through an unknown cave passage to Okugawara that is a pocket valley located at upper course of a tributary of the -gawa. This is one of phenomena showing a stream piracy by the -gawa, which was made progress since Late Pleistocene under the karst plateau. A presumed model of the drainage system is described.

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  Dehydrative glycosidation reactions reported by the authors' group are reviewed. The authors' efforts were concentrated on developing reagent systems usable for one-stage-one-pot glycosidation. Such systems could simplify the glycosidation step using 1-OH sugar derivatives, since any preactivation stage for the hemiacetal OH group could be omitted. The systems, utilizing the dehydration potential of sulfonyl chloride, such as the p-nitrobenzenesulfonyl chloride-silver trifluoromethanesulfonate-triethylamine system as well as the p-nitrobenzenesulfonyl chloride-silver trifluoromethanesulfonate-N,N-dimethylacetamide-triethylamine system, were useful for the syntheses of many kinds of oligosaccharides. As a system free from any metals, the authors developed the trimethylsilyl trifluoromethanesulfonate-pyridine (TP) system. During the study of the system containing cobalt (II) bromide, the authors found that the bromide converts 1-OH sugar into the corresponding 1-Br derivative, which is then activated with the cobalt salt to undergo glycosidation with alcohol. To prepare partially benzylated sugar derivatives used as acceptors in the authors' studies, controlled benzylation and forced tritylation were carried out. Short syntheses of a variety of useful sugar derivatives using such convenient procedures are described. As a novel protecting group for the hemiacetal OH group, the authors used the 2-methoxyethyl group. Many kinds of trehalose-type disaccarides we prepared.

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The purpose of this study is to clarify the characteristics of urban environmental structure on delta area, a part of Arakawa river basin, through the review of land infrastructure development based on watershed development and transition of the artificial topographic change. On alluvial plain of Arakawa river basin, which used be tidal wetland before Edo period, large industrial area had been developed since around 1880s and their overuse of groundwater caused serious land subsidence. About 80% of delta area is still below Tokyo Peil (T.P.) . Current landform is unveiled in the area below T.P. by the information of digital elevation model. Through the chronological study of topographic map overlaying the elevation model, relationship between urbanization and its land condition is inferred. Although entire ground level on delta area was depressed, the range of land subsidence of an area by canals is low. On the other hand, in the other areas between plural canals, which were rapidly developed in early 1900s, the range is high. The difference of urbanization speed and scale affect the land condition and the range of land subsidence. Those land characteristics by canals is evaluated as "Artificial levee" which could be an urban environmental structure on delta area.

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The tone-colour of the , a thirteen-stringed instrument was investigated by means of the same method as in the previous works. In the tone of the the amplitude of the sound pressure is, in the majority of cases, not greatest at the beginning, but reaches a maximum after the lapse of a certain time, and this may undoubtedly he due to the influence of the large wooden body. Morever, owing to the large body, its resonance as well as that of the other string is produced remarkably, which superposed on the tone of the struck string constitutes the characteristic tone-colour of the . The tone of the contains, besides the fundamental, partials of comparatively low order, and this is the main difference of its tonecolour from that of the syamiscn. In the tone of the lower register the third harmonics or sometimes the fourth is the most prominent, while in the tone of the middle register the fundamental and the second lrarmonies being the strongest, and finally the tones of the higher register are comparatively pure, consisting mainly of the fundamental. Differences of the tone-colour of diffe- rent instruments, of different methods of playing, of the same instrument in cares tuned in different absolute bitch, etc. are studied. Finally the differences of the tuning of different players are determined

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