北西太平洋域での海面気温,海面気圧及び雲量の場の月平均アノーマリの約67ケ月(1978年1月から1983年9月)のデータを,それらの量の間の線形関係を調べるために用いた。それらのデータセットを夏と冬に分けて経験的直交函数法を用いて,線形関係があるかどうかを調べた。第1の冬の固有ベクトル•振幅係数対はエルニーヨ,南方振動におけるものに似ていた。
他の統計的に有意な固有ベクトル•振幅係数対は見い出されなかった。
一般に変数の3つの対の間の関係は統計的に無意味であった。

抄録全体を表示

Although being loved by someone we

is generally acknowledged as having special value, what that value is and from whence it derives remain unclear. As described herein, the author suggests two constituents of the special value of mutual : the very nature of , i.e., becoming happy by the happiness of one’s beloved; and a mutual recognition between lovers of this becoming happy by the happiness of one another.

After posing the question of the value of mutual

, the –emotion relation is examined and defined in terms of relevant emotions. From this definition, the author examines a Union View of , inferring that this view clarifies neither the specificity nor origin of the value of mutual . Finally, the author proposes the Echo View, explaining mutual ’s value by the nature of and by lovers’ mutual recognition of their happiness, with some additional remarks about relevant issues.

抄録全体を表示

　文学の地みやざきと生命の誕生

　本学術集会のテーマ「神話の地から，周産期医学の未来への提言」にあるように，この宮崎は「文学」に所縁の深い土地である．真東に太平洋に連なる日向灘を臨み，振り返れば霧島連山などの山々があり「海の幸・山の幸」の豊かな自然の循環を感得できるところだ．我々は常に東の海に朝陽を拝むことができ，水平線から上り来る太陽の球形は魂・生命そのものに見立て日々を過ごすことができる．この会場からもほど近い宮崎市内には，「青島」というかつての新婚旅行の聖地がある．まさに神々が出逢い人々が縁を結び，生命の誕生へのスタートを祈る地が宮崎なのである．只今「海の幸・山の幸 いざ神話の源流へ」をテーマとして「国文祭・芸文祭みやざき2020」が一年延期されながらも開幕した．昨日は宮崎大学附属図書館を会場として「みやざき大歌会」を共催し，著名な歌人で小説家の東直子さんをお迎えしてトークイベントを実施した．その後，県内の中学生・高校生・大学生が一堂に介して自作短歌を語り合い，文学を足場に若い命がこの地の未来を見据えている．

抄録全体を表示

  The purpose of this research is to study the meaning of “romantic

” and its rewriting during changes in individual circumstances among young people in Japan with a high education and permanent work through an analysis of two types of research data related to romantic , marriage, sex/reproduction and their relationships. Data was collected through five focus-group discussions and semi-structured interviews targeting unmarried men/women who were in their 20s (born between 1987 to 1990) when the research was conducted. Results show that both men and women redefine the meaning of “romantic ” by combining and separating the norms of “, sex and marriage” based on conditions such as the increase in age, their relationship status and their partners. More specifically the research shows that once both men and women start to become conscious of marriage, including future childbirth, their definition of “romantic ” greatly changes, with the corresponding adjustment to combine and separate , sex and marriage. Moreover, it was also suggested that this redefinition of “romantic ” is an adaptive strategy taken by individuals during the prolonged relationship period before marriage.

抄録全体を表示

An attempt is made to interpret Congreve's for to be set in the perspective of its intellectual concern and the form of comic ritual in discussing one of the most popular of all the Restoration comedies. It might be pointed out that the very duality of man's rationality and animality, from which almost all the Restoration comedies suffered because of their immorality and profaneness on the English stage, was an embodiment of the intellectual milieu of the 1690s, centering on a satirical and comical recognition of the loss of faith, as was well anticipated in a poem "A Satire Against Mankind" by John Wilmot. People of the 1690s lived in a transitional era which, as Sir Thomas Browne said, was symbolized in the figure of 'that great and true Amphibium disposed to live in divided and distinguished worlds.' William Congreve, on the other hand, was to pay closer attention to the duality of man's appearance and reality in the social whirl, the result of which led him to describe the ways how man's 'forced disguise' appeared in many forms as a social decorum in a ritualistic way. Already John Locke's An Essay Concerning Human Understanding was published in 1690, a copy of which was in Congreve's possession in his library, and which gave great impetus to his intellectual curiosity in moulding up a drama of' personality responding ' as we see in the comedy. Perhaps Dr. Johnson was right when he said that in his comedies there were to be seen a sort of 'intellectual gladiators' together with a tendency to reach out to the really tragic world. We may recall what Congreve said to Walter Moyle that almost all his comic characters were of 'intellectual construct' so as to describe the reality of conflicting personalities like Valentine and Angelica on one hand, and Sir Sampson, Tattle, Prue on the other. At the same time, some of the Lockean ideas appear clearly in Congreve's use of the 'tabula rasa' and the ego's diversity and identity, which gave rise to the unifying ideas to the play as a whole. It may also be pointed out that the various patterns of imagery, each of which represents the peculiar world of each character, serve to illustrate both the levity and seriousness of human follies. In the end, however, the expansion of the ego and its consummation in the 'willing, waking ' rules out all the possible forms of pretension of human beings. This is, so to speak, the 'cosi fan tutte, the way of the world' where different personalities test and evaluate each other, culminating in the clear recognition of their own personal identities.

抄録全体を表示

In this study, the interrelational structure of the six styles based on J. A. Lee's theory (1973, 1974) was analyzed, and developmental changes in the structure at distinct behavioral stages of romantic (Matsui, 1991) were examined. One thousand and ninety-two undergraduates from six universities in the Tokyo Metropolitan area responded to a questionnaire asking about (1) their behavior and experience in romantic , (2) and liking scales (Rubin, 1970), and (3) style scale developed by Matsui, Tokusa, Tachizawa, Okubo, Omae, Okamura, and Yoneda (LETS-2; 1990) based on Lee's theory. Principal component analysis and multidimensional scaling of LETS-2 scores of 738 students who had an intimate heterosexual friend indicated that their Eros, Mania, and Agape scores clustered together. Analyses of variance showed that Eros, Mania, and Agape scores increased as developed, but the Ludus score peaked at the kissing stage, and the Storge score was high at an early stage. All the analyses suggested that the interrelational structure of the six styles is perhaps square or triangular pyramid, and not circular as Lee hypothesized

抄録全体を表示

Research on adolescents in romantic has suggested that their heterosexual relationship may be influenced by their attachment to their mothers and to friends of the same sex. Three hundred fifty-nine college students responded to a questionnaire designed to explore this correlation. The results indicated that male sexual behavior and feelings of romantic towards their girl friends were not influenced by the attachment to their mothers nor to their friends whereas those of the females were. Females who were involved in intimate sexual relationship had weaker attachment to their mothers; on the other hand, females who had strong romantic feelings, yet without sexual relationships, tended to have strong attachment to their friends of the same sex.

抄録全体を表示

The purpose of this paper was to construct a romantic attitude scale. Subjects were 182 (71 male and 111 female) undergraduates. From factor analysis, four factors were extracted: romanticism, romantic power, romantic linked to marriage, and ideal romantic . Validity of these scales was confirmed by sex and sex-role type differences, similar scale (pragma scale, liking and loving scale, and romanticism scale), and various aspects of romantic experience and courtship: Females considered that romantic was linked to marriage more than males. The more feminine they were, the more romantic they were and the more ideal romantic they wished. Those who have loved some people at the same time wished less ideal romantic than those who have not. Those who have dated with some people at one time didn't believe romantic power than those who had not. Those who loved someone one-sidedly or had one boy/girl friend believed romantic power than those who were not in or dated with some people. The more people they have dated with, the less ideal romantic they wished.

抄録全体を表示