抄録
In this paper, we deal with Le Corbusier's late paintings. I have given out some theses on his still lives ranging from 1918 to the 1920s and his paintings of human figure in the 1930s in this journal No.346, 353 and 407. However, in the same manner, we have a difficulty to explain his mythological paintings which begin in the 1940s. As a clue to elucide the meaning of these paintings, we watch the sketch in 1946 which notes Mallarme's verse. In a word, this picture expresses symbolically the unity of dualism. The existence of symbolism in him becomes clear. From this point of view, a series of "Icone" in his late work shows his mental make-up for the artistic creation.
