Abstract
In this paper, I discuss three films co-produced by Jissoji Productions and ATG, written by Toshiro Ishido and directed by Akio Jissoji, and discuss in detail the conflict between the writer and the director. At that time, I focused on the " mumyou " that they were particular about, and analyzed three movies. The conflict between Ishido and Jissoji over Herman Melville's short story " BARTLEBY, The Scrivener " was also analyzed in detail.
Through analysis, I clarified that the " mind that can't be stopped even if you know " that Toshiro Ishido and Akio Jissoji had was the way of " mumyou " for them. I also examined in detail the process by which the word " mumyou " is linked to Bartleby's words " I would prefer not to." In the process, I pointed out the essence of the problem that Ishido and Jissouji had. Toshiro Ishido insists on the issue of ``a folklore bloodline that has continued since ancient times and has not yet been resolved,'' and Akio Jissoji insists on " the stigma of being a repatriate. " ' I was able to point out that in their last work, " Uta ", both issues were fused and sublimated.
https://ror.org/01ta2g450 
