（能）
謡曲（能）にみる語りの演劇性
2001 年 39 巻 p. 43-69
詳細
2001 年 39 巻 p. 43-69
“Katari”, which is one of the most important elements in noh drama, stands in the relationship between the stage-player and the audience. The present paper examines the theatrical aspects or effects of “katari” of the main-character in 24 noh plays and of the side-character in 6 plays.
