ロートレックにおけるポスターと絵画との関わりについての研究
1978 年 1978 巻 27 号 p. 19-34
詳細
1978 年 1978 巻 27 号 p. 19-34
〓〓〓 〓〓 〓〓〓 〓〓〓〓〓〓 〓〓 Modern Poster Design as an independent art is Henri de Toulouse-Lautrec. He produced many paintings as well as posters. Both his posters and paintings are, in the aspects of techniques applied and themes adopted, so intimately related to one another that one could not understand his art as a whole without taking their interdependence into account. He first painted some tableaux on a certain theme, and after drawing some sketches, that could be regarded as original designs, he then proceeded to work on posters on the same theme. This study is concerned with the following two areas; an essential background for the production of his posters - how he perceived objects and how he acquired the basics of painting techniques, and with the encounter of painter and designer inside one rather miraculous personality: Toulouse-Lautrec. In order to verify my opinions about this study, I referred to the examples, "MOULINROUGE: LA BOULUE", "JANE AVRIL" and "LA REVUE BLANCHE".
