抄録
This article aims to reframe the relationship between nationalism and media. Previous research has approached this problem from within the regime of representation and lost the materiality of technology which allows nationalism to emerge. I reconsider the argument of Imagined Communities by Benedict Anderson from the viewpoint of technology and focus on the concept of "piracy" which describes the dissemination of nationalism, This theoretical study adds a critical new dimension to the theory of nationalism, contending that we should focus on the citation and iteration of nationalism rather than its representation.
