行為的直観による街並み風景形成の解釈

役場職員にみる身体性確保と「物語り」共有の工夫

抄録

The aim of this paper is to discuss the interpretation on the creation of the street scenery in Kanayama Town in Yamagata Prefecture by using the concept of action intuition (koiteki chokkan) defined by a Japanese philosopher named Kitaro Nishida. Although action is the opposite of intuition, action intuition is a phrase combining the two. Because the activity of action and passivity of intuition reflect the subjectivity and objectivity of the body, one of the solutions is to solve this contradiction by the method of unifying subjectivity and objectivity of the body. Therefore, it is critical to check the actor's idea of the method to materialize a concept when the actor comes into action of creation of the street scenery. According to the study of Yaso Yuasa who modified Nishida's action intuition, the actor becomes more creative when he tries to achieve the beauty of the street scenery at a higher stage where he unifies the subjectivity and objectivity of the body. In the case of Kanayama Town, there was the problem to remake the street scenery because of new buildings which did not match the scenery of the town street. At first, officials of the planning-section were only ones who had eyes to see the scenery, because they did not have the skills to make any buildings along the street. On the other hand, officials of the construction-section saw the scenery objectively to construct buildings along the street. Officials of the planning-section could have a technician's body after they cooperated with officials of the construction-section in the town hall. As a result, the officials remade the scenery to achieve the beauty of the streets in the town. Moreover, making a narrative on the street scenery and making a norm for residents by telling it together are important when people remake the scenery by means of mutual agreement. After officials visited towns and villages in a mountain area in Germany with leaders of town residents, they added the new concept of creating a calm street scene into their narrative. It made it easier to remake the scenery by mutual agreement among residents in the town.