本研究は第二次世界大戦前に開催された主要に関する批評傾向を『建築雑誌』，『建築と社会』，『建築世界』，『国際建築』，『新建築』を分析資料として考察することを目的とする。分析手順は以下である。1)分析資料における記事の採録傾向を分析した。2)記事における批評対象語を抽出・分類し，経年推移を分析した。3)記事のキーセンテンスにより主張を分析した。結論を以下に示す。1)分析期間における日本では常に万博の開催が意識されていた。2)建築様式に関する記事に注目した結果，新しい建築に対する意見が強く主張された。3)建築は分析期間を通じて，西洋様式の模倣が否定的に扱われ，1930年代以降は機能的，経済的合理化が進んだ。

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　Though many studies have examined the relationship between the Japanese Empire and its colonies, few have addressed the exotic gaze which urban dwellers cast upon the colonized. Therefore, this paper aims to explore the relationship between the Japanese people and the exhibited colonial other. Through official colonial exhibitions, the Japanese authorities attempted to ‘guide’ the Japanese subjects’ view of the colonized. Meanwhile, newspaper reports covering two colonial exhibitions - held in 1903 and in 1912 - reflect the way in which Japanese patrons saw the colonized. This paper will show how hegemonic colonial ideas propagated by the colonial authorities were reinterpreted by the common people.　In 1903, eight years after the First Sino-Japanese War, in the Fifth National Industrial Exhibition, the Taiwan Governor General’s Office attempted to present the island as the “honor of the Empire.” At first, consistent with the expectations of the exhibition’s organizers, Japanese patrons appeared to be in awe of the main attraction, namely the Taiwan Pavilion. However, it seemed that for many Japanese patrons, the most attractive “exhibits” were not those that had been prepared by the colonial government, but the waitresses in a Taiwanese café and restaurant that had been set up by private Japanese businessmen. Instead of seeing Taiwan as an island full of natural resources - which had been the original intention of the exhibition’s organizers - the Japanese patrons cast a very different gaze upon the colonized.　The Colonization Exhibition in 1912 was held with the purpose of showcasing Japan’ s various political and economic accomplishments in its colonies, in order to attract private investors. However, the attention of Japanese audiences was drawn by an aboriginal Taiwanese tour group that had traveled to Japan upon the invitation of colonial authorities.They were not a part of the official exhibition, but were viewed by most Japanese people as a part of it, and they became the focus of the Japanese media. This small group of Taiwanese indigenous people came to represent Japan’s popular imagination of the Empire’s civilizing mission in a savage, tropical land.　All in all, Japanese patrons of these exhibitions did not see the whole colony, as if the Empire’s understanding of the colony was also a partial one. Their limited understanding thus helped to construct the cultural edifice of the Japanese colonial empire. However the gap between the Empire’s expectations and people’s perceptions of the colony remained.

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1985年3月から半年間にわたり, 茨城県筑波研究学園都市において「国際科学技術-EXPO'85」が開催される. “人間・居住・環境と科学技術” を基本テーマに置き, 21世紀を目前にひかえた最新の科学技術の成果を我々の身近に体験させ, 新しい世紀を展望する視点を確かなものとする催しとして期待されている.

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近年日本の伝統様式の庭園が諸外国で築造せられ, 高い評価を受けている。 これについては, 長い間の書籍, 見聞記, 広報, 写真, 映画等の情報の集積によるものであるが, 国際的評価を得る主な原因は, 彼等が実際に造られた日本造園を自分の国で実際に見る機会を得ることである。 本稿は, 諸外国で行なわれた万国博等に我国が出展した庭園及び日本に旅行滞在した外国人が自らの庭に作った初期のものを考察するものである。

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