1994 年 59 巻 464 号 p. 199-207
This paper deals with the historic view of young Schinkel and shows the study of the succession and development of history in the idea of "style-synthesis". From the analysis of his "Luisen-Mausoleum" text (1810) and his "Kreuzbergsdenkmal" drawing (1815-18?), it is interpreted as follows: 1) Development of history means the awakening and growth of human reason toward freedom. The two named are manifested in the transition of architectural construction-form. 2) The classic (Greek) architecture and medieval (Gothic) architecture are two ideal examples of polarity in history, which could be found in paganism and Christianity, reality and idea. Synthesis of this polarity is the ideal architechture for the future. 3) In the historic view of Schinkel, two major influences are recognized: one is from the philosophy of Fichte, who invokes freedom and aims at the control of reason, and the other is from the historic view of Gbrres, who sees the unity of the past, present, and future and its dynamic relation.