ル・コルビュジエのEglise Saint Pierreの制作における原型と景観構成

抄録

This paper aims to elucidate prototypes in a work of Le Corbusier's "figlise Saint Pierce" at Firminy as architectural seeing of the 'paysage'. This study investigates the geometric box and the spiral ramp as the first two prototypes. These prototypes compose a paysage and develop the architectural language. This process is an acquisition of the 'vertical' paysage at the lowest point of the basin. The. essential for Le Corbusier is a realisation of 'harmony' in paysage. This harmony, resounding the universal tone, was realised by prototypes which can be applied to 'anywhere', and defined concretly 'in situ' by existing paysage.