フィシャー・フォン・エルラッハの建築と図像について

抄録

This paper deals with relations between architecture and iconography by Fischer von Erlach, who was an Austrian architect in the age of late baroque. This paper, especially, takes up Kollegienkirche and Karlskirche in Fischer's early and latter days respectively, and pays attention to relations between spatial experiments and iconographical needs in his aforementioned works. The purpose of this paper is to show the development of Fischer's architectural method, clarifying the development of the above-mentioned relations between those two works. In a word, the relations between spatial experiments and iconographical needs take a turn from interaffirmative one to internegative one.