The purpose of this paper is to consider the structure of experience of landscape referring to phenomenology, especially Merleau-Ponty's theories. We are concerned with the oblique scene of the house of Casfle Howard that is one of the best English landscape gardens in the 18th century. This oblique scene makes three impressions on us. In this paper, we will deal with two impressions of three that are seeing the house as body and finding the distance to the house far and near. Human body feels things and feels oneself by things. Such ambiguous feeling leads to reversibility between body and things. Consequently seeing thing as body emerges, and reversibility that Merleau-Ponty called 'chair' is experienced with feelings of distance and proximity.
