2010 年 75 巻 647 号 p. 235-243
In this paper, we investigate the ideological background of Christopher Alexander's theory of design by examining his research papers on cognitive psychology by the 1960s. First, we briefly show the outline of his research history in the 1960s and examine the experiments and outcomes of the research in the papers. After the examination, we show the commonly-observed features in the papers, namely, influences from Jerome S. Bruner and Gestalt psychology. It is clear that he tried to explain how we recognize “good” forms based on the gestalt account of perception, and it seems reasonable to suppose that Alexander followed the framework of Bruner's “three modes of representation” to construct his research programs.