カルロ・アイモニーノの技術観と建築作品への展開

抄録

 Carlo Aymonino (1926-2010) is an architect who had an important theoretical position in La Tendenza, the movement led by Aldo Rossi (1931-1997).
 This paper focused on the idea on technology of Aymonino and application to architecture.
 In search of his refection of the theory into his work, this paper took the two methods. One is analyzing his technological view through Italian documents in of Aymonino with comparing to document of Rossi in 1960-70s. The other is analyzing self-references about his applications to architetural designs in 1960-1970s.
 In Section 1, the ideologies of La Tendenza movement were surveyed in terms of social situation. Actually, Aymonino and Rossi belonged to Italian Communist Party and were involved in social movement. Then the movement was characterized in aspect of Communism and Socialism.
 In Section 2, through the documents, it was shown that Aymonino associated the word of tendenza with a tendency toward Socialism cities. For this reason, he placed high importance in real technology of production according to economical needs of the society.
 In Section 3, the technological view on architectural design was surveyed in comparison of Aymonino and Rossi. Notably, both emphasized the reality of production technology and were interested in possibility of production technology. Therefore it was confirmed they treated typology as synthesis of unchangeable production technology in architecture. Rather than projects like Metabolist movement and Archigram, they were more interested in real technology in Modernism cities, such as mass productions and prefabricated architectures.
 In Section 4, their application of technological view to architectural forms was surveyed. As a result, it was shown that Both of Aymonino and Rossi associated Rationalism, the manifest of the movement, with removing of decorations inherited from Modernism architectures. Especially, Aymonino emphasized relationship and diversity in multiple of materilai poveri (poor materials). Furthermore it was confirmed that their representation of Rationalism was realized by “flat surface”.
 For the conclusion, it was confirmed that the La Tendenza is a successor of technological view of Modernism architecture and that they applied it to their architectural designs.