第Ⅰ部—日本の同時代演劇
「静かな劇」の台頭
2003 年 41 巻 p. 97-110
詳細
2003 年 41 巻 p. 97-110
In this paper I present first an overview of “quiet theater,” which gained much critical attention in the 1990s; second an application of Ōta Shōgo's concept of the power of passivity to quiet theater in order to explicate quiet methodology; and last a discussion of how alterity affects subjectivity as formulated in this kind of theater.
