Journal of Music Perception and Cognition
Online ISSN : 2434-737X
Print ISSN : 1342-856X
Current issue
Displaying 1-3 of 3 articles from this issue
  • Takashi MORIKAWA, Kei HIKOJI, Shinya KAMESHIMA, Noriko NAGATA
    2020 Volume 25 Issue 2 Pages 75-86
    Published: 2020
    Released on J-STAGE: March 24, 2024
    JOURNAL FREE ACCESS
    This study examined how rap music with encouraging lyrics affected the mood of 145 college students. Previous studies on the effect of music on mood largely focused on the effect of music as a whole, rhythm, and tempo, and not on lyrics. In addition, regarding the study of lyrics, pain relief and stress reduction have only been investigated. Therefore, effects on motivation to be “encouraged” and “to feel positive” have not been known. The present study used several pieces of music to examine rap music with positive lyrics and the same music without lyrics to examine whether the lyrics improved “motivation” of college students. Participants listened to the music with three conditions, and completed two scales at pre and post the music. Results of one-way ANOVA on the scales showed that there were main effects on motivation. Above results indicate that music with positive lyrics increased “motivation” of college students. Future directions point to the need to consider the inclusion of biological markers, and the inclusion of different age groups.
    Download PDF (1033K)
  • Toshie MATSUI, Kengo OHGUSHI
    2020 Volume 25 Issue 2 Pages 87-92
    Published: 2020
    Released on J-STAGE: March 24, 2024
    JOURNAL FREE ACCESS
    To clarify the effect of duration and context on the pitch judgments of missing-fundamental tones that are composed of unresolved harmonics, an experiment was conducted that required participants to judge whether the pitches of two auditory stimuli with missing-fundamental tones ascended or descended. Participants made their judgments on the basis of the harmonic components for short-duration tones and based on the fundamental frequency (F0) for long-duration tones. It is considered that the duration of tones affected the saliency of F0. In addition, participants preferred F0 as the pitch cue and the preference persisted despite the alteration of the duration of tones.
    Download PDF (609K)
  • Eriko AIBA, Sho OTSUKA, Masahiro OKANO, Hikari SANDHU, Noriyuki TAKAHA ...
    2020 Volume 25 Issue 2 Pages 93-105
    Published: 2020
    Released on J-STAGE: March 24, 2024
    JOURNAL FREE ACCESS
    Download PDF (964K)
feedback
Top